Piano Right From the Start: "Learning to Play What You Feel!"

Imagine being able to sit down at your piano, place your hands on the keyboard, and just play! Many piano students think the ability to do this requires years of study. They couldn't be more wrong!

Learning to play what you feel does not require extensive knowledge of harmony or theory. All that is required is the ability to do two things:

1. Believe that you know enough
2. Believe that you're good enough

Thousands of classically trained pianists are able to play Rachmaninoff and Bach but are unable to express themselves poetically at the keyboard. Why? Because of the above 2 beliefs! It's not enough to have mastered piano technique.

For example, many would be writers understand how to construct a compelling plot and know how a story should be written, but until they have freed their inner voice from criticism...until they believe that they are good enough to write that story, it simply won't get done!

The same goes for music and any other art. I can't tell you how many times I repeated the above 2 statements to myself because I really wanted to get past my fear of being able to create music at the piano. I wanted to play what I felt at any given time - to be able to improvise. But this was nearly impossible as long as there was some voice in me that said I just wasn't good enough. And believe me, we ALL have these voices somewhere in our heads at one time or another.

Eventually, I got past the need to seek other's approval and realized that I was more important than the music. I learned that I already knew more than enough to play the piano. I also came to believe I was good enough and that no one person will every know it all or be a "perfect" player.

Five Steps To Embellishing A Song At The Piano

You love playing the piano but are increasingly frustrated with only being able to reproduce what is in front of you. No sheet music, no play. Oh you only have it in the key of Eb? Well sorry I can’t play that. Does this sound like you?

Several years ago I could only play exactly from the piano sheet music in front of me. If I looked up from the music for a fraction of time I lost my place. I was only comfortable in the keys of C, F, and G. Sometimes D and Bb. But I longed to play and smile at the congregation in my church. Or check the worship leader to see if he was going to add another stanza. Then I started to learn Pachelbel Canon in D. Ever heard it? A study on the D scale. It opened my eyes to improvising or embellishing on a song at the piano.

Here are five key things to remember to help you do the same.

1.Learn and practice your scales in all keys. Nobody likes this. It’s not fun but it can greatly increase your playing proficiency if you are diligent.

2.Learn and practice chords. Especially the odd ones such as diminished, augmented, 6ths etc. These can quickly give color and style to your songs.

3.Fake it. Use a fake book to play. This will greatly encourage you to add to the harmony and melody because you only have a chord symbol and one melody line in front of you. It will sound very dry so you will be motivated.

4. Use the whole piano. Play those same notes just an octave higher. Now try one more octave

5. Don’t get discourage by your first results: You may not like your first results but don’t give up.

Visit the Struggling Church Musician Piano page for more resources to playing the piano by ear and chord piano.

Easy Piano Improvisation: Learn to Express Yourself!

Have you ever wanted to just sit down at the piano and play what you feel? Without worrying if it's good enough or if you have enough "talent?" You can when you learn how to play piano using the amazing open position piano chord!

This chord structure allows the complete beginner to create modern sounds at the piano FASTER THAN ANY OTHER METHOD! After teaching piano for 14 years, I can safely say that I've never seen students progress as fast as they do when working with this chord position. Let's examine how one can improvise right away using the open position chord.

First, you must learn how to use it. The easiest way to do this is to simply learn the chords in the Key of C Major. We take the entire 6-note chord and move it up step by step. First we play C Major 7, then D minor 7, E minor 7, F Major 7, G 7, and A minor 7 and finally, B half-diminished. We play the chords first as solid chords (all tones together) then we break them up. For an excellent example of this, see the author's free piano lesson "Reflections in Water" available below.

Once we've got this very large chord structure down in our hands, we can then use it to create music with. Improvisation simply means spontaneous expression - learning how to create in the moment. Improvising does not have to be hard! Once you get the chords down, you're left with the melody creation aspect and this is easy to because all you use are the notes from the C Major scale.

We use our chords much the same way a painter uses a palette of colors. We create using chords and the element of time. In the example lesson "Reflections in Water," the chords you play are in a given order. All you have to do now is play them in that order and improvise your own melody!

How do you move a piano? Very carefully.

Okay, I’m being a little sarcastic, but moving a piano is a serious endeavor.

I’m a big advocate of hiring a professional mover to move a piano. Pianos are heavy and it’s easy to damage a piano while moving it. I’m speaking from experience. I own a Kimball piano my parents bought brand new for me when I was a child. That piano was a big deal to me after having played on an old “clunker” of a piano for several years. I played that new piano every day.

When I got married it was time to move the piano to my own home. My husband and his brothers moved it themselves. It wasn’t an easy job even with the moving dolly they used (pianos weigh several hundred pounds – grand pianos can weigh 1,500 pounds). The amateur move of my piano resulted in both of the piano legs being damaged (a common occurrence when people move a piano themselves) and some unplanned internal work (some pins needed repair and a string broke). I should have hired a piano mover. Then I wouldn’t have had those problems, but my husband and I thought we would save money by doing it ourselves. It was a lesson I should have remembered, but I was foolish a second time.

A few years ago my husband and I built a new house. When it came time to move the piano again, my husband was reluctant to hire someone to move it professionally because our pocketbook was already feeling empty from the expense of building the house (he called our new house a “money-sucking black hole.”) In his mind, moving it wasn’t a big deal. Our new house was less than two miles from our old one; and he had a dolly, a trailer, and a brother who was willing to help him.

Everything went okay until my husband turned into the driveway of our new home. The sharpness of the turn strained the ropes holding the piano on the trailer and they broke. The piano tipped over and sustained a lot of damage (the entire “guts” of the piano are ruined and the case is chipped and scratched). I haven’t had it fixed yet, but I have gotten an estimate. It’s going to take a lot of time and money to fix the piano. It needs to be totally rebuilt. Because of the labor involved, it would be cheaper to buy a new piano than have it fixed, but the piano has a lot of sentimental value to me so I will have it fixed. This is why I say, “Hire a professional!”

What does a professional piano mover do to ensure a safe and successful move? With upright pianos, they almost always strap the piano on a skid called a piano board. They also cover the piano with blankets to help protect it. The entire bundle is then typically put on a dolly and taken to its destination. If steps are involved, the piano is taken off the dolly and slid up or down the steps on the piano board.

Moving a grand piano is a little more involved. The lid, lid hinges, pedal lyre, and leg on the straight side of the piano are usually all removed. The piano is then put on the piano board, on its side, with the straight side down. The other legs of the piano are then removed. The piano is then covered with blankets, strapped to the board, and put on a dolly.

Some movers don’t like to move a piano up or down stairs. If it’s feasible, they prefer to hoist it to the appropriate floor via a window that’s big enough to accommodate the piano.

So what do you do if you just want to move your piano from one part of a room to another? First, decide if it’s really important to move it because there’s always the risk of damaging a piano even with a short move. Piano legs are the most likely thing to get damaged or broken.

Be very careful to avoid putting too much weight on the legs. Get a few strong people to help if the piano is an upright; and get at least 5 people if it’s a grand piano. With an upright or spinet, tilt the piano back a little to take the pressure off the front legs, but be careful not to tip it back too far and tip it over. With a grand piano, lift the piano up enough to get the pressure off the legs before you try to move it. It’s not necessary (and not recommended) to lift the piano off the floor entirely.

If you’re going to move a piano often, consider having it fitted with special casters that will allow you to move the piano fairly easily. Or, have the piano placed on a piano truck.

How you do you find a good piano mover if you’ve decided to not try and move it yourself? My suggestion is that you call your local piano store and ask them for recommendations. They should be able to give you the name or names of reputable movers in your area.

Okay, so you’ve decided you are definitely going to move your piano and you’ve decided on a method. Now you have to figure out where you’re going to put the piano. Where should it go?

Try to put your piano in an area of a room where there are little or no drafts, where it’s out of direct sunlight, and where the temperature and humidity are stable. This is because pianos are sensitive to humidity and temperature. Lots of temperature and humidity swings cause a piano to go out of tune faster than normal, can damage the wood case, and if they are severe they can even eventually cause structural failure.

Don’t place your piano over or next to a heat vent and avoid putting it close to a fireplace. Don’t put in front of a window because that’s typically a drafty place as well as one with direct sunlight. Try to find a room in your home or apartment that has consistently stable temperature and humidity. That is the best room for your piano.

If you can’t find a place in your apartment or home that is out of direct sunlight, free of drafts, and doesn’t have big temperature swings, you may want to consider having a climate control system installed in your piano.

Moving and placing your piano correctly will help ensure you have a lovely instrument to play for a long time rather than having what I now own – an oversized paperweight that needs to be dusted.

Chord Spelling

Understanding Chord Symbols
With the growing interest in Jazz and other forms of music, I find more and more people asking about chord symbols and chord construction. While there are many books out there on the market, there is very little explanation of how chords symbols are interpreted. I’d like to share some of my insight with all you music enthusiasts. In many song sheets chords are given for guitar or keyboard players. Functional names are not used for this purpose. Instead, the root and quality of the chord are given in what may be termed lead-sheet notation (for example, Amaj and F#dim7).
Chord symbols are made up of 3 component parts:
1. The ROOT
    The alphabetical name of a chord.
        i.e. A, Bb, G F# etc.
2. The Chord Type
    Indicating either Major, minor, dominant, augmented or diminished.
3. The extension:
Tones added to the basic three note chord (triad) that changes its sound but not its type. Extensions are represented by scale step numbers    i.e. 9, 11, 13

Here are the basic chord types:
MAJOR    indicated by GMaj., GMa, GM or just G (Note: the capitol “M” is used to designate Major chords.) Major chords are sometimes written without chord type designation. Symbols are also used to designate Major chords i.e. , .

Minor        Indicated by Gmin., Gmi, Gm or G- (NOTE: The lower case “m” is used to designate minor chords).

Dominant 7    Indicated with only the root and extension numbers. Since some major chords and all dominant 7 chords can be written without chord type designations, the following will help you to distinguish between a major chord and a dominant chord: If the FIRST extension number following the root or letter name of the chord is 7 or greater, and it does not specifically state major or minor then it is a dominant chord.
EXAMPLE:     C7b5, C13, C9 and C7sus4 are all dominant chords, but Cm11 is a minor chord and CMaj.9 is a major chord.
If the FIRST extension number following the root or letter name of the chord is 6 or under, it is a major chord.
EXAMPLE: C6/9, C2, Csus4 are all major chords
Augmented
These are 3 note chords indicated by G aug, G+, or G#5
EXCEPTION: G+7 is always a dominant chord as is G7#5

Diminished
    Indicated by G dim, Gdim7, or Gº, or Gº7

Choosing A Musical Instrument For Your Child

Many parents want to encourage their children to learn to play a musical instrument, to encourage their musical development.

The first instrument is often a music keyboard. These are reasonably priced and stimulate an interest in music even in very young children. Ask your school music teacher for advice, because some of the very low cost keyboards are very limited. The higher priced keyboards play notes softer if they are hit less hard, more like a piano.

Your child may enjoy the sound of a particluar instrument. This can be a major motivational factor, so it is a good idea to go with the child's ideas, at least initially. Many children change the instrument they play in the first few years of their music education.

Many children may find it easier to play woodwind instruments like a clarinet than brass instruments like trumpets and trombones. Woodwind instruments do not require the lip vibrations that brass players need.

Most children's choice of instrument is a matter of chance. It depends on what instrument is favored by visiting music tutors.

There are more professional violinists than players of any other instrument. This is one reason parents often encourage their children to take up the violin. Buying a violin is a tricky business.

You can buy a violin for less than 70 dollars on the Internet. Should you buy it? Never.

A violin is not just a pair of shoes. Shoes are designed to be used and thrown away when they wears out. A well-made violin will last for hundreds of years. The 70 dollar violin above should just be thrown away. Buying one for your child is a waste of 70 dollars.

If your child is taking up the violin, or any instrument, it might be an idea to rent rather than buy, until you see how your child takes to the instrument. That is the point at which you should consider buying.

Buy the best instrument you can afford. Price is definitely linked with tonal quality. Listen to a range of violins, pianos or trumpets being played by the musician in the retailers. You will notice differences between the different instruments. Always buy a musical instrument you and your child like the sound from. Musical training will attune the child's ear to any deficiency in the instrument you buy, and this will detract from the pleasure he or she gains from playing it.

Be Kind To Your Piano When You Put It In Storage

Tpiano,  piano restoration, piano repair, piano storage
You own a piano you love. But, you find that you need to put it in storage for a while. How should you go about doing it?

Many experts will tell you to avoid storing a piano if at all possible. It’s suggested to do everything you can to find a relative or friend who can keep the piano in their home or apartment until you’re ready for it again.

But what if that’s not possible?

A climate controlled storage facility is the best storage choice. Then the piano won’t be subjected to big temperature swings and big humidity changes, both of which can cause a lot of damage to a piano.

Pianos are very sensitive to temperature and humidity changes. Frequent, severe swings in temperature and humidity can wreck the wood piano case; doing things to it such as drying it out to the point of cracking if it’s too dry for a long time or warping it and wrecking the wood if it’s too humid.

Frequent or severe temperature and humidity changes will also cause the piano to go out of tune sooner than it normally would. It can also cause the wool cloth in the piano actions on better quality pianos to deteriorate.

If you have a piano at an unheated summer home or cottage, it’s probably better to keep the piano there during the cold winter months than to move it back and forth every year. If a person has to choose between storing a piano in a place that’s very hot versus very cold, the piano will usually fare much better in the cooler place. Some experts suggest placing moth balls in the piano during the winter storage period, taking care to make sure the moth balls don’t touch the finish of the piano. Just be sure to remember to remove them before you start using the piano again.

One additional warning comes from “The Piano Book” by Larry Fine (an excellent and comprehensive resource book on pianos). He says a piano that has been kept for years in an area that was damp or unheated should never be moved to a dry location or a well-heated location. Larry says pianos that have had this done to them have been known to “self destruct” in a short period of time.

A Guide To Piano For Beginners

Classes that involve piano for beginners would include an introduction to reading and understanding the keys, chords and how to read musical notes. The piano is unlike any other instrument and sounds wonderful as stand alone music or as part of a group. The intense sound of a piano is one that captivates audiences with power or soothes them with serenity.

Budding musicians always find it exciting to explore the world of piano for beginners. Whether this is their first venture playing the piano or being used as a reminder of forgotten skills, piano for beginners is a terrific way to develop or improve skills.

The most popular place to find a piano for beginners class would be a local high school or college university music department. Occasionally, instructors will offer piano tutoring to non-students. Students, on the other hand, will have a variety of choices within the music curriculum. Otherwise, a quick visit to a local specialty music store may provide leads on potential instructors.

When learning piano for beginners, it’s important for hopefuls to select the best instructor by evaluating his/her experience, educational background and accomplishments. The most commonly sought instructors will possess some type of music degree or an equivalent amount of musical experience. A potential instructor should be interviewed regarding their history in music, fee requirements, length of classes, policy on missed sessions, etc. If the learner’s schedule is particularly hectic, he/she may wish to enlist the help of a private tutor as opposed to a group instructor. Music lessons offered in a group will be scheduled by the instructor and will be less flexible toward each individual learner’s schedule. This is not to say that group lessons are not an excellent way to learn piano for beginners because they are. Simply put, private tutors are better for anyone with a hectic or unpredictable schedule. For example, a private tutor will have a more flexible schedule and may be willing to work around that of the learner’s daily routine. Whereas group classes are often held at the same time on a certain night, or nights, each week, a private tutor can be scheduled at any time during the day or evening without having to abide by a preset schedule. Internet courses, on the other hand, offer learners with the option of learning piano for beginners in the comfort of their own home at any time during the day or night. After all, where else could you learn piano in your pajamas?

Perhaps that most fun way to learn the piano for beginners is to just start playing. Some of the world’s most famous musicians are self-taught, so don’t be afraid to go solo until you get comfortable with the keys and each of their unique sounds. Professional instruction is certainly the most desirable, but there is nothing wrong with a little practice before signing up for class. In fact, the more familiar you are with the piano, the sooner you will be on your way to the Grammy awards. Hey, you never know!

5 Reasons to Learn Music Theory

If you thought music theory was a waste of time and not necessary to further your musical goals, then read these following 5 reasons why this is not true.

1.Read sheet music: Being able to play from any piece of sheet music. Well it may be hard to play BUT you can read it!

2.Be able to transpose: Say you are playing a piece from the sheet music you can now read but you think it sounds too high or too low, or just not right. Well now you can move it into a new key and play at a better singing.

3.Be able to modulate: You will be able to, with a few quick moves of the fingers, move your music into a new key with a succession of notes so pleasing to the ear it will bring a smile to your listeners faces.

4.It will increase your skill in improvising: Enough said.

5.Knowing music theory will help you recreate the sounds you enjoy in your favorite songs. Those fabulous chord progressions. The parts that give a song that certain sound. Gospel, Contemporary etc.

To learn music theory you don’t have to become a scholar on the subject. Just at least learn the basics. Getting a good music theory book and spending a few minutes a day reading from it and doing any included exercises can jump start your music playing.

3 Steps to Playing Comfortably for a Crowd

Most people are not comfortable performing in front people. When I say of performing, such as an instrument, or singing, or acting, I mean more than just knowing how to do well at your chosen craft, I mean doing it well and in front of people. It’s the “in front of people” part that gets us every time. How many of us sing like a bird in the shower but then when people are watching we can’t carry a note. Here are three steps to start you on the road to comfort (never complete) when called on to shine.

1. Don’t neglect to practice. Whether you sing or play an instrument practice is the key to being relaxed. The more familiar you are with what you are performing, the less anxiety you will have about messing up.

2. Don’t back up. Piano teaches pass this on all the time. If you mess up in the middle, or any place in your piece, don’t back up and repeat the offending passage. Keep going. Chances are your audience didn’t even notice.

3. Try not to be critical of your technical skill. Focus more on your overall performance. How does it sound as a whole? If you’re a pianist and you worry during your piece about your fingering then you’re ignoring the song and how it sounds. Worry about technicalities when you practice. Which should be often.

With time playing in front of and for other people will come much easier. You'll be a natural. So use every opportunity to show your stuff!

3 Ways To Get The Most Out Of Your Music Lessons

Whether you are using a book, video, a real live human, or online lessons, keep these pointers in mind in order to get the most out our your studies.

1. Complete and master each section before moving on to the next: As you work through your studies make sure you have each new technique or idea conquered before moving on to the next. Lessons are planned to build upon each other and trying to rush through without fully understanding one will just lead to frustration and wasted efforts.

2. Study as if you were in school. Do some homework every night. If all you have is 15 minutes then use those 15 minutes. If you don’t have time to read/watch and apply then do the application of your last lesson or drills such as scales and chords. Reading/watching and not having the opportunity to apply immediately will usually mean you have to relearn your lesson. Take notes. Especially if you’re watching a video or working with a human. Also don’t be afraid to write all over your workbooks and sheet music.

3. Apply what you’ve learned: Play for others. Your church, your family, that spare piano sitting in your favorite department store (ask first). Nothing drives a music lesson home better than a recital. It will also magnify what you need to work on.

These tips work whether your a child or an adult. Learning to play an instrument is a wonderful activity.