In the literary world, there are few villains and monsters as sympathetic and as “human” as Erik, the Phantom of the Opera. The man behind the monster has been labeled as the villain of Gaston Leroux's novel just as often as he has been named a misunderstood protagonist. He was the ghost that haunted the halls of the Opera Populaire, terrorizing the diva Carlotta and several other performers who were housed there, as they clashed with his artistic sensibilities. In almost all incarnations of the character outside of the novel, there is almost always only a small measure of sympathy accorded to the deformed and persecuted Erik. The focus had always been on the horrifying visage he presents before the public, and less on “Angel of Music” persona he bore when he trained the young ingénue, Christine Daae.
However, behind the mask was, ultimately, a man. Erik was not the overwhelming force of evil that people had portrayed him to be. Indeed, along with many of his contemporaries, Erik shared traits and attributes that were all too human. He needed to feel loved by the ones he believed he loved... he craved for recognition for his achievements... and desperately needed to interact with the world without having to strike terror in the hearts of those who see him. In this way, he echoes earlier figures of horror, such as Quasimodo of “The Hunchback of Notre Dame” and the Frankenstein's Monster from “Frankenstein.” His quest to love and to be loved, as well as his aristocratic demeanor, also mirror the nobler qualities of an earlier literary figure, Bram Stoker's Dracula. In the end, like all of the above literary icons, Erik was more than the “Phantom of the Opera.” Erik was, underneath the mask, a human being, albeit one with a number of issues, including social anxiety and paranoia. Andrew Lloyd Weber's musical, despite having taken a number of liberties with the story, has lyrics that echo the various complex emotions that Erik had to endure in his lifetime.
This face that earned
A mother's fear and loathing
A mask my first
Unfeeling scrap of clothing
From an early age, Erik instilled fear and anxiety in the people around him because of his deformed face. The interpretations and versions of the story vary in the details, but in the original novel, he was described to have looked like a living corpse. From Leroux's description, one could deduce that his face was deformed such that it appeared more like a skull than a normal face. His mother, feeling overwhelming fear and anxiety over her son's monstrous appearance, eventually abandoned him. He managed to make an early living in a carnival, where he inspired mockery rather than fear and anxiety. That mockery would eventually evolve into a total dislike of society and people in general, morphing into a twisted form of social anxiety.
Masquerade!
Paper faces on parade...
Masquerade
Hide your face,
So the world
Will never find you!
His social anxiety forced him into seclusion, though he was not completely without contact with the outside world. He gained a good handle on architecture and engineering, building palaces for two prominent rulers, while also serving as an assassin for one of them. His fear of society led him to go to great lengths to remain unseen and hidden in the shadows. With his mask, he was able to conceal his disfigured features to those whom he chose to reveal his presence. He also attained a high sense of appreciation for music, which turned out to be a natural talent for him. Indeed, it was this natural aptitude for performing and composing music that would eventually lead him to seek out Christine, which he probably saw as an outlet for his status anxiety.
Those who have seen your face
Draw back in fear
I am the mask you wear...
It's me they hear.
It is easy to speculate that Erik's initial reasons for training Christine stemmed from his desire to overcome his status anxiety. As he discovered his talent for music, it is possible that he developed the idea to showcase his talent to the world at large, and let them see how much musical brilliance can be produced by someone who was scorned by society. He wanted to use her as his mouthpiece, his “avatar” to the world and society above his shadowy lair. However, even a man that has lived a life alien to concepts such as love and devotion can be made to feel them, in much the same way as Frankenstein's Monster and Quasimodo did in their respective stories. In a way, his pursuit and desire for the love of Christine was his own twisted way of achieving a sense of emotional healing.
Pitiful creature of darkness
What kind of life have you known?
God give me courage to show you
You are not alone
There is little argument on whether or not Erik loved Christine, albeit he expressed that love in a rather twisted manner. Despite the emotional healing that came with training Christine in music, he still behaved very much like the figure of darkness that everyone perceived him to be. This is likely because, despite having felt more human emotions, emotional healing cannot instantly undo a lifetime of psychological damage. His mind was, unfortunately, still damaged and incapable of seeing his actions as anything more than things done out of necessity, unaware of how monstrous his tactics would seem to others. In the end, his music was not able to remove the terror that came with his persona as the Phantom of the Opera.
Showing posts with label status anxiety. Show all posts
Showing posts with label status anxiety. Show all posts
Sunday, July 11, 2010
Wednesday, June 2, 2010
Destiny To Despair: The Fall Of Superboy-Prime
In the comic book industry, it is difficult to find a single character that is as iconic, as well-known, and as popular as Superman. His status has come to the point that DC Comics, the company that publishes his monthly titles, has developed several versions and revisions of his character and his powers over the years. Most of them have followed the same general archetype established by the original Superman, which is that of a lawful and good superhero. However, every so often, there have been darker character versions that, unlike the good version, posed a threat to mankind. Arguably, the most dangerous of these “evil” versions is the one known as Superboy-Prime.
To understand Superboy-Prime's rise as a hero and his subsequent fall to become “the most dangerous individual the universe has ever known,” it is necessary to first explore how he came into the DC Comics universe. Originally, Superboy-Prime was the only superhero on Earth-Prime, one of many alternate versions of Earth that existed in the world of DC Comics. According to the storyline, all the alternate Earths had to be destroyed to preserve one. At the end of that cataclysmic series of events, Superboy-Prime, along with Earth-Prime's Lex Luthor and Kal-El, yet another alternate version of Superman, willingly confined themselves to a paradise-like dimension to save the universe. However, trapped in an isolated realm with nothing but memories of his old world to keep him company, his mind became warped. With prompting from the Lex Luthor trapped with him, Superboy-Prime eventually broke free and resolved to correct the mistake he made. In other words, he was intent on returning the existence of Earth-Prime, a goal he could achieve only by destroying the current Earth.
In his mind, the Earth was deeply flawed and had to be destroyed by all means. He saw villains and heroes but somehow he could not distinguish between the two, and, as a result, he treated both sides as enemies. In his skewed black-and-white view of morality, Superboy-Prime considered himself as the only true hero in the current universe. However, as the “Superboy,” he felt an intense degree of status anxiety over not having earned the name “Superman.” His goal of restoring Earth-Prime ties into this feeling, since by erasing the current universe, he also erases the various other versions of Superman in it. Such an event would eventually leave him as the only Superman in the universe. He hoped to alleviate his status anxiety by eliminating any version of himself that he subconsciously sees as being better than he is.
Superboy-Prime also exhibited some signs of performance anxiety. For all of his great power, he seems psychologically incapable of achieving the same things that the current universe's Superman has done. In his mind, he believed that he cannot hope to attain the level achieved by the heroic versions of Superman that he has encountered. He also doubted his ability to match up to the level of the current universe's Superboy. This performance anxiety, however, had worsened into rage and disdain for all of the alternate versions of Superboy.
His raw, god-like power also contributed to the development of status anxiety since he believed that he deserved the title of “Superman” by virtue of his superhuman abilities alone. He soundly defeated the current universe's Superboy in single combat, breaking his arm in one encounter and killing him in their second battle. He easily defeated Powergirl in battle, despite her being twice as powerful as normal during the battle. Supergirl, the only hero shown to be consistently physically stronger than the current Superman, was also defeated easily by Superboy-Prime. In the end, it took the combined efforts of two versions of Superman, the current one and the Kal-El version, to defeat him in battle. This feat would not have been possible without the sacrifice of Kal-El and the radiation of a red sun, which drained Prime of his powers. Also, he was able to defeat several Green Lanters simultaneously, a feat that the current Superman believes is impossible for him to do. Unlike his contemporaries, no known form of Kryptonite has an effect on him, and magic has no effect on him. While his mind is vulnerable to telepathic assault, he has proven impossible to control in such a manner, adding yet another advantage over his fellow Kryptonians. These events have solidified his status anxiety, as he believes his power alone should be enough to grant him the place of being a true “Superman.”
Superboy-Prime is an interesting combination of an increasingly complex situation as seen through an overly simplistic lens. This, combined with his lack of maturity or guidance due to having grown up in an isolated “paradise,” have left him with little ability to see the more complex moral framework his contemporaries have come to understand and work with. Like the modern Supergirl, he also does not have any psychological impediments to his power, which means he does not hold back and has no regard for whatever damage he might cause. His inability to accept the loss of his home is vaguely reminiscent of separation anxiety, evolving into an obsession. Also, as some heroes have described him, he has become increasingly cold and has apparently lost the ability to care about the innocent lives in the current universe.
However, whether or not he is fully to blame for what he has become is questionable. It was a version of Lex Luthor that prompted him to break out of his isolation and instilled in him the idea that the current universe is inferior to Earth-Prime. The people of his home hailed him as a savior, placing upon him a “destiny” to become the greatest hero of all time. In the end, Superboy-Prime's state of mind and his mentality are best summed up in his own words:
“Cold? Cold is being the lone survivor of a dead universe! Cold is being imprisoned when you tried to make things better! Cold is what this universe has made me!”
To understand Superboy-Prime's rise as a hero and his subsequent fall to become “the most dangerous individual the universe has ever known,” it is necessary to first explore how he came into the DC Comics universe. Originally, Superboy-Prime was the only superhero on Earth-Prime, one of many alternate versions of Earth that existed in the world of DC Comics. According to the storyline, all the alternate Earths had to be destroyed to preserve one. At the end of that cataclysmic series of events, Superboy-Prime, along with Earth-Prime's Lex Luthor and Kal-El, yet another alternate version of Superman, willingly confined themselves to a paradise-like dimension to save the universe. However, trapped in an isolated realm with nothing but memories of his old world to keep him company, his mind became warped. With prompting from the Lex Luthor trapped with him, Superboy-Prime eventually broke free and resolved to correct the mistake he made. In other words, he was intent on returning the existence of Earth-Prime, a goal he could achieve only by destroying the current Earth.
In his mind, the Earth was deeply flawed and had to be destroyed by all means. He saw villains and heroes but somehow he could not distinguish between the two, and, as a result, he treated both sides as enemies. In his skewed black-and-white view of morality, Superboy-Prime considered himself as the only true hero in the current universe. However, as the “Superboy,” he felt an intense degree of status anxiety over not having earned the name “Superman.” His goal of restoring Earth-Prime ties into this feeling, since by erasing the current universe, he also erases the various other versions of Superman in it. Such an event would eventually leave him as the only Superman in the universe. He hoped to alleviate his status anxiety by eliminating any version of himself that he subconsciously sees as being better than he is.
Superboy-Prime also exhibited some signs of performance anxiety. For all of his great power, he seems psychologically incapable of achieving the same things that the current universe's Superman has done. In his mind, he believed that he cannot hope to attain the level achieved by the heroic versions of Superman that he has encountered. He also doubted his ability to match up to the level of the current universe's Superboy. This performance anxiety, however, had worsened into rage and disdain for all of the alternate versions of Superboy.
His raw, god-like power also contributed to the development of status anxiety since he believed that he deserved the title of “Superman” by virtue of his superhuman abilities alone. He soundly defeated the current universe's Superboy in single combat, breaking his arm in one encounter and killing him in their second battle. He easily defeated Powergirl in battle, despite her being twice as powerful as normal during the battle. Supergirl, the only hero shown to be consistently physically stronger than the current Superman, was also defeated easily by Superboy-Prime. In the end, it took the combined efforts of two versions of Superman, the current one and the Kal-El version, to defeat him in battle. This feat would not have been possible without the sacrifice of Kal-El and the radiation of a red sun, which drained Prime of his powers. Also, he was able to defeat several Green Lanters simultaneously, a feat that the current Superman believes is impossible for him to do. Unlike his contemporaries, no known form of Kryptonite has an effect on him, and magic has no effect on him. While his mind is vulnerable to telepathic assault, he has proven impossible to control in such a manner, adding yet another advantage over his fellow Kryptonians. These events have solidified his status anxiety, as he believes his power alone should be enough to grant him the place of being a true “Superman.”
Superboy-Prime is an interesting combination of an increasingly complex situation as seen through an overly simplistic lens. This, combined with his lack of maturity or guidance due to having grown up in an isolated “paradise,” have left him with little ability to see the more complex moral framework his contemporaries have come to understand and work with. Like the modern Supergirl, he also does not have any psychological impediments to his power, which means he does not hold back and has no regard for whatever damage he might cause. His inability to accept the loss of his home is vaguely reminiscent of separation anxiety, evolving into an obsession. Also, as some heroes have described him, he has become increasingly cold and has apparently lost the ability to care about the innocent lives in the current universe.
However, whether or not he is fully to blame for what he has become is questionable. It was a version of Lex Luthor that prompted him to break out of his isolation and instilled in him the idea that the current universe is inferior to Earth-Prime. The people of his home hailed him as a savior, placing upon him a “destiny” to become the greatest hero of all time. In the end, Superboy-Prime's state of mind and his mentality are best summed up in his own words:
“Cold? Cold is being the lone survivor of a dead universe! Cold is being imprisoned when you tried to make things better! Cold is what this universe has made me!”
Tuesday, March 2, 2010
Anno's Evangelion: A Study In Mental Disorders
Hideaki Anno's magnum opus of an anime, “Shin Seiki Evangelion” has long been the subject of debate for anime fans. There will always be conflicts on whether the show reinvigorated a stagnating industry or if it was all hype. There will be fans arguing one way or another about the validity of the countless revivals and reinterpretations of the original material, including the latest CG-heavy movie project entitled “The Rebuild of Evangelion.” The debate on whether one of the female leads is better and more attractive than the other is likely never going to end. However, the fact that all of the characters exhibit some extreme examples of severely stunted mental health is a point of great interest to the fans. The latest installment can be viewed as a protracted case study into just how warped a human mind can become.
For a good introduction into this facet of the show, there's always the lead character, Shinji Ikari. The boy exhibits signs of incredible social anxiety, being completely unwilling to engage in social activities at the onset of the show. In some ways, his politeness and tendency to apologize repeatedly for things that are not his fault, as well as apologizing for his earlier apologies, can also be seen as a link to his performance anxiety. Indeed, throughout the bulk of the show, he exhibits signs of performance anxiety when tasked with piloting the massive bio-mechanical constructs known as “evangelions.” The fact that his social anxiety prevents him from truly opening up to anyone makes it difficult for him to find ways to release his tension and fear, even to his trusted guardian. There are a few fans that have theorized that Shinji's myriad of psychological issues also contains Oedipus complex, though the show merely hints upon this.
An interesting mirror to Shinji is one of the female leads, Asuka Langley Soryu. She has suffered the same trauma as Shinji, mainly the death of the mother and rejection by the father. However, her social anxiety seems to have taken the opposite route as Shinji's, giving her a more extroverted and vocal personality but pushing away people when she subconsciously feels that they are getting too close. She also exhibits extreme status anxiety when piloting the “evangelion” units are concerned. She is highly concerned with maintaining her status as the most effective pilot, going to great lengths to stay that way. However, when the data reflects Shinji's performance as being superior to hers, she goes berserk and insists that such an event is impossible. The situation was worsened when Shinji invariably rescued her, as she was rendered incapacitated by a mental attack that forced her to deal with her myriad of issues, all of which she had pushed under the surface. Her mental health eventually collapses in the wake of those events, causing her to rapidly progress from self-doubt, to depression, and finally to a complete mental and emotional breakdown. In the original incarnation, she never actually recovered.
In some ways, Shinji's guardian, Misato Katsuragi, has also experienced stunted mental health. The death of her father traumatized her, such that she was unable to speak for several years after the incident. Her attraction to a co-worker, Kaji, is an overt sign of Electra complex. Characters within the show have pointed out that Misato's attraction to Kaji stems from his resemblance to her father, both in appearance and personality. She has also exhibited some signs of separation anxiety, as evidenced by her unwillingness to sacrifice Shinji in battle, even if it would cost potentially thousands of other lives to save him. Her constant worrying over this fact is taken as evidence of the problem. Her outgoing and happy personality is also hinted to be her way of coping with some form of social anxiety, which manifests by her refusal to allow herself to get emotionally close to her. It is also implied that she understands this, as she notes that any attempt to develop her parental relationship with Shinji would only result in both of them getting hurt. Even the parental nature of her relationship with Shinji is questionable, particularly due to her statements implying that she will sleep with him if he does as she says and saves the world in the “End of Evangelion” movie.
Rei Ayanami, another of the lead characters, is generally viewed as a “poster child” for a number of stunted mental health. She is often seen being incapable of feeling emotions, or at least incapable of expressing the emotions she feels. However, this lack of emotion from her has only added to the speculation on what her myriad of psychological issues are. She exhibited Thanatos, the so-called “death instinct,” on one occasion. Her lack of friends and social contacts has been interpreted by some as being a product of her own social anxiety, which is in turn aggravated by her apparent lack of emotions. Indeed, it is generally assumed that the other students tried to initiate social interaction with her, but that she herself prevented it from going further than that. However, unlike Shinji and Asuka, she does not seem to exhibit anxiety problems regarding her ability to pilot an “evangelion,” though whether this is because she does not feel it or she is incapable of expressing her frustrations is debatable.
All of the other major figures in the show exhibit signs of mental health problems in most incarnations. It has often been stated that the characters are motivated and controlled by their anxiety disorders and psychological issues, with most of them being where they are because of their problems. The anime was heralded as revolutionary because of its psychological and religious themes, as well as showing that the mecha sub-genre could have a deeper meaning than “giants robots fighting other giant robots.” The point is arguable but, even a decade after the show was first released, it is arguable that no anime has had characters as psychologically warped as “Evangelion.”
For a good introduction into this facet of the show, there's always the lead character, Shinji Ikari. The boy exhibits signs of incredible social anxiety, being completely unwilling to engage in social activities at the onset of the show. In some ways, his politeness and tendency to apologize repeatedly for things that are not his fault, as well as apologizing for his earlier apologies, can also be seen as a link to his performance anxiety. Indeed, throughout the bulk of the show, he exhibits signs of performance anxiety when tasked with piloting the massive bio-mechanical constructs known as “evangelions.” The fact that his social anxiety prevents him from truly opening up to anyone makes it difficult for him to find ways to release his tension and fear, even to his trusted guardian. There are a few fans that have theorized that Shinji's myriad of psychological issues also contains Oedipus complex, though the show merely hints upon this.
An interesting mirror to Shinji is one of the female leads, Asuka Langley Soryu. She has suffered the same trauma as Shinji, mainly the death of the mother and rejection by the father. However, her social anxiety seems to have taken the opposite route as Shinji's, giving her a more extroverted and vocal personality but pushing away people when she subconsciously feels that they are getting too close. She also exhibits extreme status anxiety when piloting the “evangelion” units are concerned. She is highly concerned with maintaining her status as the most effective pilot, going to great lengths to stay that way. However, when the data reflects Shinji's performance as being superior to hers, she goes berserk and insists that such an event is impossible. The situation was worsened when Shinji invariably rescued her, as she was rendered incapacitated by a mental attack that forced her to deal with her myriad of issues, all of which she had pushed under the surface. Her mental health eventually collapses in the wake of those events, causing her to rapidly progress from self-doubt, to depression, and finally to a complete mental and emotional breakdown. In the original incarnation, she never actually recovered.
In some ways, Shinji's guardian, Misato Katsuragi, has also experienced stunted mental health. The death of her father traumatized her, such that she was unable to speak for several years after the incident. Her attraction to a co-worker, Kaji, is an overt sign of Electra complex. Characters within the show have pointed out that Misato's attraction to Kaji stems from his resemblance to her father, both in appearance and personality. She has also exhibited some signs of separation anxiety, as evidenced by her unwillingness to sacrifice Shinji in battle, even if it would cost potentially thousands of other lives to save him. Her constant worrying over this fact is taken as evidence of the problem. Her outgoing and happy personality is also hinted to be her way of coping with some form of social anxiety, which manifests by her refusal to allow herself to get emotionally close to her. It is also implied that she understands this, as she notes that any attempt to develop her parental relationship with Shinji would only result in both of them getting hurt. Even the parental nature of her relationship with Shinji is questionable, particularly due to her statements implying that she will sleep with him if he does as she says and saves the world in the “End of Evangelion” movie.
Rei Ayanami, another of the lead characters, is generally viewed as a “poster child” for a number of stunted mental health. She is often seen being incapable of feeling emotions, or at least incapable of expressing the emotions she feels. However, this lack of emotion from her has only added to the speculation on what her myriad of psychological issues are. She exhibited Thanatos, the so-called “death instinct,” on one occasion. Her lack of friends and social contacts has been interpreted by some as being a product of her own social anxiety, which is in turn aggravated by her apparent lack of emotions. Indeed, it is generally assumed that the other students tried to initiate social interaction with her, but that she herself prevented it from going further than that. However, unlike Shinji and Asuka, she does not seem to exhibit anxiety problems regarding her ability to pilot an “evangelion,” though whether this is because she does not feel it or she is incapable of expressing her frustrations is debatable.
All of the other major figures in the show exhibit signs of mental health problems in most incarnations. It has often been stated that the characters are motivated and controlled by their anxiety disorders and psychological issues, with most of them being where they are because of their problems. The anime was heralded as revolutionary because of its psychological and religious themes, as well as showing that the mecha sub-genre could have a deeper meaning than “giants robots fighting other giant robots.” The point is arguable but, even a decade after the show was first released, it is arguable that no anime has had characters as psychologically warped as “Evangelion.”
Subscribe to:
Posts (Atom)