Movie is a term that encompasses individual motion pictures, the field of movie as an art form, and the motion picture industry. Movies are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.
Movies are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Movie is considered to be an important art form, a source of popular entertainment, and a powerful method for educating — or indoctrinating — citizens. The visual elements of cinema give motion pictures a universal power of communication; some movies have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue.
Traditional Movies are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement.
The origin of the name "film" comes from the fact that photographic film (also called film stock) had historically been the primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, photo-play, flick, and most commonly, movie. Additional terms for the field in general include the big screen, the silver screen, the cinema, and the movies.
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
Wednesday, March 28, 2012
Saturday, February 4, 2012
Upcoming movies
Since I've been spending quite a bit of time at the movies lately, that also means I've been seeing lots of trailers. When we're not seeing a lot of movies, I miss seeing all the stuff that's coming up, although sometimes that can be a blessing as well. I can't tell you how tired I got of seeing numerous trailers for "The Eye" and "The Ruins".
But with the summer movie season about to kick in, there are quite a number of movies coming up in the next multiple months that I'm interested in seeing. Here's a rundown of them.
I first saw the theatre standee for "Made of Honor", which is being released May 2, and it didn't do anything for me, but as I've been seeing the trailers, it looks funny. Yeah, it looks to be pretty predictable with standard romantic comedy overtones, but I like the physical comedy I've seen in the previews. Here's the link to the trailer.
When I first saw the trailer for "Iron Man", which is being released May 2, I was very surprised to see Robert Downey, Jr. in the lead role. I guess everyone is doing these kinds of films nowadays. It looks like it'll be interesting, though. Here's the link to the trailer.
I remember watching and loving "Speed Racer" as a child, and even though I really can't tell you much about what I watched (other than that whenever I've been stuck at a train crossing, I've always wished I had his car so that I could jump over everything and be on my way), I'm interested in seeing the live-action feature film version, which is being released May 9. I'm not crazy about the Matrix-like funky special effects, but I'm willing to give it a shot. Here's the link to the trailer.
I enjoyed "The Chronicles of Narnia", so I'm interested in seeing "Prince Caspian", which is being released May 16. I've never read the books and haven't yet decided whether I want to attempt them. I've got too much stuff in the queue as it is, so it's not like I'm looking for things to read, but it's something I might consider in the future. I might have to watch the first film again to orient myself before seeing this one. Here's the link to the trailer.
You would pretty much have to be living under a rock to not know that the fourth installment of the Indiana Jones series is being released May 22. I'll be spending the majority of May trying really hard to avoid spoilers, especially once the film premieres at Cannes. I'm looking forward to seeing the film - the trailer looks great, I'm excited that Marion (Karen Allen) is back, and I'm interested in seeing how Shia LeBeouf does in the film. Here's the link to the trailer.
I hadn't heard until recently that they were making yet another version of "The Incredible Hulk", which is being released June 13. The last version didn't interest me enough to actually see it, especially with the horrid special effects, so I was pretty ho-hum about this version - until I saw the trailer. It looks pretty good, and I find it interesting that Edward Norton is playing Bruce Banner. With the cast also including Liv Tyler, William Hurt and Robert Downey, Jr., I'm looking forward to seeing how this version pans out. Here's the link to the trailer.
I've already talked about being excited to see "Wall-E", which is being released June 27. We're planning on getting tickets for opening night at the El Capitan as soon as they go on sale. (You don't really need me to link to the trailers, do you?)
It'll be a two-movie weekend since I'm also interested in seeing "Wanted", which is also being released June 27. I'm not a particular fan of Angelina Jolie, but the trailer looks awesome, and Morgan Freeman is in it, so how could you go wrong? Here's the link to the trailer.
I recently saw the trailer for "Hellboy II", which is being released July 11, and it looks kind of interesting. I've never seen the first film, and watching this trailer made me think about a city full of the inhabitants of Tatooine's cantina. The husband wants to see the film, and he's recommending that I watch the first film so that I can understand this one better. Here's the link to the trailer.
The second installment of the new Batman series, "The Dark Knight", is being released July 18. I was looking forward to seeing the film anyway as I love this particular incarnation of the story (I was not a fan of Batman being played by Michael Keaton, Val Kilmer or George Clooney though admittedly, I didn't see the last couple movies in the series.), but it'll be sad to see Heath Ledger's last role, in which he supposedly does an amazing job. Here's the link to the trailer.
The movie I'm most excited to see, "Mamma Mia", is also being released July 18. It's going to be a bit of a schizophrenic weekend at the movies. (You don't need me to link to this trailer either, do you?)
I had heard nothing about "Tropic Thunder", which is being released August 15, and as I watched the trailer, it wasn't really the kind of movie I'd normally be interested in - except for one element. The apparently-very-busy Robert Downey, Jr. is in this film, playing a critically-acclaimed Australian actor who undergoes a controversial medical procedure so that he can play an African-American character in the movie-within-a-movie. The trailer footage of him looks incredible, so I think I'm going to have to see this movie just for him alone. Here's the link to the trailer.
Another movie that I'd known nothing about is "Hamlet 2", which is being released August 22. But we saw the trailer recently, and we were laughing so hard that it's one of the movies I'm looking forward to seeing the most. It's just completely irreverent, and the show-within-the-movie just looks outrageous. Here's the link to the trailer.
I'd heard that they were doing a remake of "The Women", which is being released October 10. I'd seen the original film as well as read the original play and enjoyed them both. The casting of this new version is pretty interesting, so I'm interested to see how it comes out. There's apparently no trailer available yet.
But with the summer movie season about to kick in, there are quite a number of movies coming up in the next multiple months that I'm interested in seeing. Here's a rundown of them.
I first saw the theatre standee for "Made of Honor", which is being released May 2, and it didn't do anything for me, but as I've been seeing the trailers, it looks funny. Yeah, it looks to be pretty predictable with standard romantic comedy overtones, but I like the physical comedy I've seen in the previews. Here's the link to the trailer.
When I first saw the trailer for "Iron Man", which is being released May 2, I was very surprised to see Robert Downey, Jr. in the lead role. I guess everyone is doing these kinds of films nowadays. It looks like it'll be interesting, though. Here's the link to the trailer.
I remember watching and loving "Speed Racer" as a child, and even though I really can't tell you much about what I watched (other than that whenever I've been stuck at a train crossing, I've always wished I had his car so that I could jump over everything and be on my way), I'm interested in seeing the live-action feature film version, which is being released May 9. I'm not crazy about the Matrix-like funky special effects, but I'm willing to give it a shot. Here's the link to the trailer.
I enjoyed "The Chronicles of Narnia", so I'm interested in seeing "Prince Caspian", which is being released May 16. I've never read the books and haven't yet decided whether I want to attempt them. I've got too much stuff in the queue as it is, so it's not like I'm looking for things to read, but it's something I might consider in the future. I might have to watch the first film again to orient myself before seeing this one. Here's the link to the trailer.
You would pretty much have to be living under a rock to not know that the fourth installment of the Indiana Jones series is being released May 22. I'll be spending the majority of May trying really hard to avoid spoilers, especially once the film premieres at Cannes. I'm looking forward to seeing the film - the trailer looks great, I'm excited that Marion (Karen Allen) is back, and I'm interested in seeing how Shia LeBeouf does in the film. Here's the link to the trailer.
I hadn't heard until recently that they were making yet another version of "The Incredible Hulk", which is being released June 13. The last version didn't interest me enough to actually see it, especially with the horrid special effects, so I was pretty ho-hum about this version - until I saw the trailer. It looks pretty good, and I find it interesting that Edward Norton is playing Bruce Banner. With the cast also including Liv Tyler, William Hurt and Robert Downey, Jr., I'm looking forward to seeing how this version pans out. Here's the link to the trailer.
I've already talked about being excited to see "Wall-E", which is being released June 27. We're planning on getting tickets for opening night at the El Capitan as soon as they go on sale. (You don't really need me to link to the trailers, do you?)
It'll be a two-movie weekend since I'm also interested in seeing "Wanted", which is also being released June 27. I'm not a particular fan of Angelina Jolie, but the trailer looks awesome, and Morgan Freeman is in it, so how could you go wrong? Here's the link to the trailer.
I recently saw the trailer for "Hellboy II", which is being released July 11, and it looks kind of interesting. I've never seen the first film, and watching this trailer made me think about a city full of the inhabitants of Tatooine's cantina. The husband wants to see the film, and he's recommending that I watch the first film so that I can understand this one better. Here's the link to the trailer.
The second installment of the new Batman series, "The Dark Knight", is being released July 18. I was looking forward to seeing the film anyway as I love this particular incarnation of the story (I was not a fan of Batman being played by Michael Keaton, Val Kilmer or George Clooney though admittedly, I didn't see the last couple movies in the series.), but it'll be sad to see Heath Ledger's last role, in which he supposedly does an amazing job. Here's the link to the trailer.
The movie I'm most excited to see, "Mamma Mia", is also being released July 18. It's going to be a bit of a schizophrenic weekend at the movies. (You don't need me to link to this trailer either, do you?)
I had heard nothing about "Tropic Thunder", which is being released August 15, and as I watched the trailer, it wasn't really the kind of movie I'd normally be interested in - except for one element. The apparently-very-busy Robert Downey, Jr. is in this film, playing a critically-acclaimed Australian actor who undergoes a controversial medical procedure so that he can play an African-American character in the movie-within-a-movie. The trailer footage of him looks incredible, so I think I'm going to have to see this movie just for him alone. Here's the link to the trailer.
Another movie that I'd known nothing about is "Hamlet 2", which is being released August 22. But we saw the trailer recently, and we were laughing so hard that it's one of the movies I'm looking forward to seeing the most. It's just completely irreverent, and the show-within-the-movie just looks outrageous. Here's the link to the trailer.
I'd heard that they were doing a remake of "The Women", which is being released October 10. I'd seen the original film as well as read the original play and enjoyed them both. The casting of this new version is pretty interesting, so I'm interested to see how it comes out. There's apparently no trailer available yet.
Thursday, June 30, 2011
Black Christmas movie review
This festive fright-fest was a nice surprise from what I was originally expecting. This is another horror remake (from the people behind ‘Final Destination’ – great film), but un-like so many others; it did manage to come up trumps; such as ‘The Texas Chainsaw Massacre.’ This is a remake of Bob Clarke’s 1974 classic slasher movie, ‘Black Christmas’; which actually came four years before John Carpenter’s ‘Halloween’. Some fans lay claim that it was the original slasher flick.
From the outside, this looks like just another of your basic ‘there’s a psycho hacking up a bunch of pretty girls, who are running up the stairs instead of out of the door,’ and to a certain extent that’s correct, it’s the way this is conveyed which is interesting and enticing to watch.
The story: crazed killer, Billy Lenz, escapes his psychiatric ward and is determined to make it to his childhood home, where he was abused, by Christmas. Problem is, it’s years later and the home is now a Sorority house. It’s Christmas Eve and a who’s who of teen/horror girl stars are there to welcome him, including Melissa (Michelle Trachtenberg , ‘Buffy the vampire slayer’ fame), Heather (Mary Elizabeth Winstead, ‘Final Destination 3’), Dana (Lacey Chabert, ‘Mean Girls’) and Kelli (Katie Cassidy, ‘When a stranger calls’ remake.)
This movie is actually pretty good, it has a constant feeling of being watched that runs right through it and adds a sparkle to the scares, and the tension is kept high. The actresses, although spouting some awful lines at times, also say some good ones. The acting is good, and because most of the leading ladies are stars, and most of them horror stars, the audience doesn’t guess which one is going to make it to the rolling credits. The story-line builds well, and there is a mounting tension, as the killer first phones the girls, and then starts to do away with them.
A similar storyline to the original ‘Halloween’, with a killer coming home for the holidays, there are also many similar P.O.V shots of the killer, watching the girls throughout the house. The Christmas theme bleeds in nicely with the plot, and it comes across in places (especially, the flash-backs to Billy Lenz’s childhood) like something, director, Tim Burton, would dream up. The film gets darker and darker as we move through it, with some very violent scenes, and the music by Shirley Walker is great; capturing horror and Christmas all in one twisted melody. Also, the use of red and green lighting throughout (owed to Christmas) is very cool, and creates a great atmosphere.
Due to it being set in a Sorority house, and this no longer being 1974, some of the dialogue just doesn’t cut it. I can’t imagine many of these girls’ staying in the house with a crazed serial killer, just because they can’t find their ‘sorority sister,’ believable in 2007 – sad, but true. There is, unfortunately, the obligatory shower scene, but it’s used for scares, not thrills, and so works.
Right from the start you can tell, this isn’t your usual run of the mill slasher, it actually has a back story, and we do find ourselves caring for some of the characters, for example, Kelli, played by Katie Cassidy is great; plus if you hated ‘Dawn’ in ‘Buffy the vampire slayer’ – you are gonna love this movie.
From the outside, this looks like just another of your basic ‘there’s a psycho hacking up a bunch of pretty girls, who are running up the stairs instead of out of the door,’ and to a certain extent that’s correct, it’s the way this is conveyed which is interesting and enticing to watch.
The story: crazed killer, Billy Lenz, escapes his psychiatric ward and is determined to make it to his childhood home, where he was abused, by Christmas. Problem is, it’s years later and the home is now a Sorority house. It’s Christmas Eve and a who’s who of teen/horror girl stars are there to welcome him, including Melissa (Michelle Trachtenberg , ‘Buffy the vampire slayer’ fame), Heather (Mary Elizabeth Winstead, ‘Final Destination 3’), Dana (Lacey Chabert, ‘Mean Girls’) and Kelli (Katie Cassidy, ‘When a stranger calls’ remake.)
This movie is actually pretty good, it has a constant feeling of being watched that runs right through it and adds a sparkle to the scares, and the tension is kept high. The actresses, although spouting some awful lines at times, also say some good ones. The acting is good, and because most of the leading ladies are stars, and most of them horror stars, the audience doesn’t guess which one is going to make it to the rolling credits. The story-line builds well, and there is a mounting tension, as the killer first phones the girls, and then starts to do away with them.
A similar storyline to the original ‘Halloween’, with a killer coming home for the holidays, there are also many similar P.O.V shots of the killer, watching the girls throughout the house. The Christmas theme bleeds in nicely with the plot, and it comes across in places (especially, the flash-backs to Billy Lenz’s childhood) like something, director, Tim Burton, would dream up. The film gets darker and darker as we move through it, with some very violent scenes, and the music by Shirley Walker is great; capturing horror and Christmas all in one twisted melody. Also, the use of red and green lighting throughout (owed to Christmas) is very cool, and creates a great atmosphere.
Due to it being set in a Sorority house, and this no longer being 1974, some of the dialogue just doesn’t cut it. I can’t imagine many of these girls’ staying in the house with a crazed serial killer, just because they can’t find their ‘sorority sister,’ believable in 2007 – sad, but true. There is, unfortunately, the obligatory shower scene, but it’s used for scares, not thrills, and so works.
Right from the start you can tell, this isn’t your usual run of the mill slasher, it actually has a back story, and we do find ourselves caring for some of the characters, for example, Kelli, played by Katie Cassidy is great; plus if you hated ‘Dawn’ in ‘Buffy the vampire slayer’ – you are gonna love this movie.
Monday, August 30, 2010
All About Photography
Photography is the art of reproducing pictures of people, objects or places in their exact likeness. These images can be transferred on any photosensitive material. Photography includes taking and printing pictures.
The backbone of photography is the camera, the instrument or device that works on the principle of optics. The camera and photographic techniques have undergone phenomenal changes since the time the first camera was made. The earlier model did not contain the film; instead, it had a small light-shield box with lens and translucent screen on either side. The image that traveled through the lens was stored on the screen. Known as 'camera obscura,' it was no more than a sketching device for artists.
Then the scientists discovered the quality of silver nitrate that changes its color when exposed to light. This was the beginning of photogram, a method of making permanent images.
They would place objects on the paper dipped in silver nitrate and expose it to the sunlight. After sometime the area covered under the object stayed white while the rest of the space turned black. However, the image formed was temporary, so the method did not last long.
Over the centuries, the principles, the method and the material used in photography went through many changes. After experimenting with various methods like Daguerre and calotype process, finally collodion, or the wet plate technique was universally accepted.
Modern photography has given a totally new meaning to the entire perception of life and privacy. Photography has made it possible to capture and preserve special moments, in private and in public life. History became more authentic with pictures, and photographs served as evidence in many cases. People made their family tree in their albums. Suddenly life was so much more fun and meaningful.
With the tremendous technological advances in the art of photography, it is no more just fun and frolic but has acquired the dimensions of a full-fledged profession. Photography has many branches and types, such as:
- Aerial photography is the art of taking photographs from the air.
- Art photography is devoted to beautiful pictures for the sake of beauty only.
- Studio or advertising photography is dedicated to promotion of products and institutions.
- Photojournalism takes pictures of events to support the news story and to create awareness among the people.
- Outdoor and travel photography is focused on taking pictures of landscapes and natural places.
- Sports photography records images of the sporting events and games that take place in the world.
- Some types of photography like the macro and scientific and macro or close up photography are restricted to specific fields and are not widely known.
The charm of photography lies as much in the end product as in the process of taking pictures. Looking at an album is like taking a trip down memory lane; it makes us feel highly nostalgic and emotional.
The backbone of photography is the camera, the instrument or device that works on the principle of optics. The camera and photographic techniques have undergone phenomenal changes since the time the first camera was made. The earlier model did not contain the film; instead, it had a small light-shield box with lens and translucent screen on either side. The image that traveled through the lens was stored on the screen. Known as 'camera obscura,' it was no more than a sketching device for artists.
Then the scientists discovered the quality of silver nitrate that changes its color when exposed to light. This was the beginning of photogram, a method of making permanent images.
They would place objects on the paper dipped in silver nitrate and expose it to the sunlight. After sometime the area covered under the object stayed white while the rest of the space turned black. However, the image formed was temporary, so the method did not last long.
Over the centuries, the principles, the method and the material used in photography went through many changes. After experimenting with various methods like Daguerre and calotype process, finally collodion, or the wet plate technique was universally accepted.
Modern photography has given a totally new meaning to the entire perception of life and privacy. Photography has made it possible to capture and preserve special moments, in private and in public life. History became more authentic with pictures, and photographs served as evidence in many cases. People made their family tree in their albums. Suddenly life was so much more fun and meaningful.
With the tremendous technological advances in the art of photography, it is no more just fun and frolic but has acquired the dimensions of a full-fledged profession. Photography has many branches and types, such as:
- Aerial photography is the art of taking photographs from the air.
- Art photography is devoted to beautiful pictures for the sake of beauty only.
- Studio or advertising photography is dedicated to promotion of products and institutions.
- Photojournalism takes pictures of events to support the news story and to create awareness among the people.
- Outdoor and travel photography is focused on taking pictures of landscapes and natural places.
- Sports photography records images of the sporting events and games that take place in the world.
- Some types of photography like the macro and scientific and macro or close up photography are restricted to specific fields and are not widely known.
The charm of photography lies as much in the end product as in the process of taking pictures. Looking at an album is like taking a trip down memory lane; it makes us feel highly nostalgic and emotional.
Thursday, August 19, 2010
Abstract Photography - Has photography come of age
“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.” -W. Eugene Smith
The invention of the camera liberated painting from its reportage role. Gone was the need to produce a likeness, detail the events of the story, painting was free to express emotions. True what had gone before contained an emotional content but now painting could experiment and through imaginative interpretation allow the emotional content to predominate. Freed from this constraint the painter was able to create a new language and explore the motivations of their art.
As the 19th century evolved and throughout the 20th century painters from the impressionists through the cubists and expressionists to the minimalists could to use colour, line and form to go straight to the emotional content of their work. The representational aspect of the work become coincidental and was pushed to the point that it became akin to lying on the grass making shapes out of clouds. Enjoyable as it may be it is secondary to the nature of clouds.
The introduction of the digital darkroom has given this freedom to photographers. The range of tools to fix and enhance the camera’s capture when pushed to its extremes produces a range of fascinating effects. When added to the filters built into the better software, images can be produced that any comparison to the original photograph is purely coincidental. As photographers explore these tools and incorporate them into their photographs so their visual language will grow. The revolution of the medium with the development from black and white into colour is taking its next step. Now with the digital darkroom’s ever growing range of tools the only limitation is the photographer’s imagination.
With the use of these tools, the skilled photographic artist can take the pop song and create, in visual terms, the lyric beauty of a baroque symphony or the down town jive of a jazz variation without a tree or a high rise in sight. Just the light captured by the camera and fine tuned into something completely different, something new that comes from the photographer.
The photographer has been liberated like the painter before them by technology. Now photographs can explore the full range of human experience including those they have no words to express. Large statements will be accessible by the photographer not only in physical terms. Although like their painter counterparts, through an additional feature of the technology, the large canvas is becoming the order of the day. That this canvas can express feelings rather than just illustrate them denotes that the photography has become an adult in the arts.
The invention of the camera liberated painting from its reportage role. Gone was the need to produce a likeness, detail the events of the story, painting was free to express emotions. True what had gone before contained an emotional content but now painting could experiment and through imaginative interpretation allow the emotional content to predominate. Freed from this constraint the painter was able to create a new language and explore the motivations of their art.
As the 19th century evolved and throughout the 20th century painters from the impressionists through the cubists and expressionists to the minimalists could to use colour, line and form to go straight to the emotional content of their work. The representational aspect of the work become coincidental and was pushed to the point that it became akin to lying on the grass making shapes out of clouds. Enjoyable as it may be it is secondary to the nature of clouds.
The introduction of the digital darkroom has given this freedom to photographers. The range of tools to fix and enhance the camera’s capture when pushed to its extremes produces a range of fascinating effects. When added to the filters built into the better software, images can be produced that any comparison to the original photograph is purely coincidental. As photographers explore these tools and incorporate them into their photographs so their visual language will grow. The revolution of the medium with the development from black and white into colour is taking its next step. Now with the digital darkroom’s ever growing range of tools the only limitation is the photographer’s imagination.
With the use of these tools, the skilled photographic artist can take the pop song and create, in visual terms, the lyric beauty of a baroque symphony or the down town jive of a jazz variation without a tree or a high rise in sight. Just the light captured by the camera and fine tuned into something completely different, something new that comes from the photographer.
The photographer has been liberated like the painter before them by technology. Now photographs can explore the full range of human experience including those they have no words to express. Large statements will be accessible by the photographer not only in physical terms. Although like their painter counterparts, through an additional feature of the technology, the large canvas is becoming the order of the day. That this canvas can express feelings rather than just illustrate them denotes that the photography has become an adult in the arts.
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photography
Thursday, May 20, 2010
Collecting Art - Do you have the bottle?
The headline reads “Undiscovered master piece sells for millions at Auction”. The family was overjoyed to discover that a picture that had hung on their grandfather’s wall for years attracted a six figure price at auction. Grandson and heir said “The whole family knew he collected odds and ends but we never envisaged it would amount to anything.”
Ok the above is fiction, but it’s what’s at the back of the majority of collector’s minds, especially those who collect art. Buy it cheap and sell it for squillions. Just don’t rely on it as your retirement fund. In many respects it is a lottery, your betting your collection decision against that fickle beast, public opinion. The beauty of the art collecting lottery is you can hang the ticket on your wall. A win, win situation, your wall decorations are working for you and all your friends can admire your taste.
Now that can be scary, because 90 out of 100 people know damn all about art. If it isn’t chocolate box pretty it isn’t art, right. Wrong, have a look at the masters of art in your local museum or better still here on the internet and see how many pretty pictures you can find. Look at Picasso, Gauguin, Pollock, Matisse, Cezanne or Van Gogh to mention a few.
It’s Ok, I’ll wait.
Not much prettiness there. What is there is life, both the depiction of it and in the picture itself. There is an energy that radiates from art and if you allow it that energy will take you places you have never been before. But be prepared, it will confront you, it will challenge you, it is opinionated and isn’t afraid to speak its mind, it is prepared to stand up and be counted, it is art.
As such it is in the vanguard of human experience, it is raw, it is fresh and new. It isn’t the tried and true of recipes of yesterday rehashed, it is pushing the boundaries. In the 21st Century it is computer generated art in all of its many and varied forms. Be it fractal art, manipulated photography or cartoon cells, the collectable artists of today are using a keyboard and a mouse. If Michelangelo were to paint the Sistine Chapel today you can bet London to a brick he wouldn’t be using intonaco. Now as then he would be using that latest technology available to him.
For the collector this just adds another level of complexity. Because computer art is so easily reproduced, what does one actually collect? As in the past, collect signatures, preferably from a limited edition. Obviously, the shorter the edition the better. If an open edition with a signature is all you can afford, go for it, it is better than a poster with or with out a digital signature. If your print isn’t signed by the fair hand of the artist, as a collectable, it is worthless and that includes digital signatures. It is a $29.99 commodity and barely worth the paper it’s printed on. Although the frame may attract a bid or two.
If you consequently come across your print on the cover of Vogue or in a TV commercial for whatever, chances are you’re on a winner. That is the paperback of your signed first edition. Assuming of course your print has staying power, for so much of the mass media is based on ephemera. It is the quick hit that attracts attention and while this can be true of art there is a deeper relationship just waiting for your attention in works that can stand the test of time.
For anyone seriously considering collecting art, the pieces to acquire are those you can live with. If you like it from the start that is a bonus though not essential because if you have chosen wisely you will, over time and many conversations, come to love your new found friend. Works of art do become trusted friends and when it comes time to dispose of them it is a gut wrenching experience. This I know for I have been there and done that. When I had to dispose of my collection a few months ago my main concern was that they were going to good home rather than the financial return they could afford me. Consequently the ROI was less than if I had been less sentimental.
Though if ROI is your motivation and you can be hard nosed at the end of the day you will have many hours of enjoyment from your friends upon your walls along the way.
Ok the above is fiction, but it’s what’s at the back of the majority of collector’s minds, especially those who collect art. Buy it cheap and sell it for squillions. Just don’t rely on it as your retirement fund. In many respects it is a lottery, your betting your collection decision against that fickle beast, public opinion. The beauty of the art collecting lottery is you can hang the ticket on your wall. A win, win situation, your wall decorations are working for you and all your friends can admire your taste.
Now that can be scary, because 90 out of 100 people know damn all about art. If it isn’t chocolate box pretty it isn’t art, right. Wrong, have a look at the masters of art in your local museum or better still here on the internet and see how many pretty pictures you can find. Look at Picasso, Gauguin, Pollock, Matisse, Cezanne or Van Gogh to mention a few.
It’s Ok, I’ll wait.
Not much prettiness there. What is there is life, both the depiction of it and in the picture itself. There is an energy that radiates from art and if you allow it that energy will take you places you have never been before. But be prepared, it will confront you, it will challenge you, it is opinionated and isn’t afraid to speak its mind, it is prepared to stand up and be counted, it is art.
As such it is in the vanguard of human experience, it is raw, it is fresh and new. It isn’t the tried and true of recipes of yesterday rehashed, it is pushing the boundaries. In the 21st Century it is computer generated art in all of its many and varied forms. Be it fractal art, manipulated photography or cartoon cells, the collectable artists of today are using a keyboard and a mouse. If Michelangelo were to paint the Sistine Chapel today you can bet London to a brick he wouldn’t be using intonaco. Now as then he would be using that latest technology available to him.
For the collector this just adds another level of complexity. Because computer art is so easily reproduced, what does one actually collect? As in the past, collect signatures, preferably from a limited edition. Obviously, the shorter the edition the better. If an open edition with a signature is all you can afford, go for it, it is better than a poster with or with out a digital signature. If your print isn’t signed by the fair hand of the artist, as a collectable, it is worthless and that includes digital signatures. It is a $29.99 commodity and barely worth the paper it’s printed on. Although the frame may attract a bid or two.
If you consequently come across your print on the cover of Vogue or in a TV commercial for whatever, chances are you’re on a winner. That is the paperback of your signed first edition. Assuming of course your print has staying power, for so much of the mass media is based on ephemera. It is the quick hit that attracts attention and while this can be true of art there is a deeper relationship just waiting for your attention in works that can stand the test of time.
For anyone seriously considering collecting art, the pieces to acquire are those you can live with. If you like it from the start that is a bonus though not essential because if you have chosen wisely you will, over time and many conversations, come to love your new found friend. Works of art do become trusted friends and when it comes time to dispose of them it is a gut wrenching experience. This I know for I have been there and done that. When I had to dispose of my collection a few months ago my main concern was that they were going to good home rather than the financial return they could afford me. Consequently the ROI was less than if I had been less sentimental.
Though if ROI is your motivation and you can be hard nosed at the end of the day you will have many hours of enjoyment from your friends upon your walls along the way.
Wednesday, May 5, 2010
Chinese New Year Show Opens Window on Asian Subtlety
Asian-themed performances like NTDTV’s Chinese New Year Spectacular offer an entirely new experience for many Westerners, partly because they are so different from the more typical, narrative-driven, performing art forms. They ask something different from the audience – a slight shift in expectations, a shift in sensibility.
The appreciation for what is implied rather than what is in plain sight sets Asian art apart from Western art. Traditional Chinese dance, for example, is less precise and strict in form than its Western counterpart, ballet. It is because it attempts to evoke a different sort of feeling. Like a glass of claret with its subtle undertones, this kind of dance leaves room for the imagination while leaving a lasting impression.
The following story may help shed some light on the mystery:
Once there was an art dealer who had a painting that depicted a young farm boy leading a horse across a bridge. The boy was facing the horse, his body leaning back, and he looked like he was exerting great effort. One day a buyer came in and had to have this painting. However, he didn’t have enough money on him to buy this rather expensive artwork right away. So he asked the dealer to hold the painting for him while he went home to get the funds. As the seller took the painting down, he noticed it was missing the rope the boy should have been using to lead the horse. Without much thought, he picked up an ink brush and added a rope to fix this apparent flaw in the painting. When the buyer came back and saw the new rope, he was terribly upset. He told the dealer: “I was only willing to spend so much on this painting because of the rope that wasn’t seen but could still be felt!”
The more something is described in a concrete way, the smaller the range it covers. For example, the phrase “hot water” describes not only water but its temperature, so although “hot water” is more specific than “water,” it precludes “warm water,” “cold water,” and other kinds of water and is therefore more limited. Perhaps this is why so much of Chinese art seems to speak in generalities. Ink landscape paintings with their broad brush strokes and wide swaths intentionally left blank are particularly hard for the Western eye to grasp. These paintings can often seem vague and unclear, but to the discerning viewer, each brush stroke speaks volumes.
The same holds for the Chinese language -- known for being extraordinarily concise and yet also rich and descriptive precisely because it is so succinct. Indeed, many Chinese words and proverbs contain concepts that could take paragraphs to explain in another language.
The NTDTV holiday shows seem to have struck a balance between the more refined traditional dance forms and the simple pleasures of rousing music, impressive large scale dances with dozens of dancers moving in synch, and, of course, gorgeous costumes and backdrops. The shows offer enough new flavors to be intriguing without being overly foreign. The more subtle elements may be lost on many in the audience, but their presence nonetheless enriches the entire performance for everyone. Ultimately, stories of grace and virtue told through song and dance will speak to us all forever.
The appreciation for what is implied rather than what is in plain sight sets Asian art apart from Western art. Traditional Chinese dance, for example, is less precise and strict in form than its Western counterpart, ballet. It is because it attempts to evoke a different sort of feeling. Like a glass of claret with its subtle undertones, this kind of dance leaves room for the imagination while leaving a lasting impression.
The following story may help shed some light on the mystery:
Once there was an art dealer who had a painting that depicted a young farm boy leading a horse across a bridge. The boy was facing the horse, his body leaning back, and he looked like he was exerting great effort. One day a buyer came in and had to have this painting. However, he didn’t have enough money on him to buy this rather expensive artwork right away. So he asked the dealer to hold the painting for him while he went home to get the funds. As the seller took the painting down, he noticed it was missing the rope the boy should have been using to lead the horse. Without much thought, he picked up an ink brush and added a rope to fix this apparent flaw in the painting. When the buyer came back and saw the new rope, he was terribly upset. He told the dealer: “I was only willing to spend so much on this painting because of the rope that wasn’t seen but could still be felt!”
The more something is described in a concrete way, the smaller the range it covers. For example, the phrase “hot water” describes not only water but its temperature, so although “hot water” is more specific than “water,” it precludes “warm water,” “cold water,” and other kinds of water and is therefore more limited. Perhaps this is why so much of Chinese art seems to speak in generalities. Ink landscape paintings with their broad brush strokes and wide swaths intentionally left blank are particularly hard for the Western eye to grasp. These paintings can often seem vague and unclear, but to the discerning viewer, each brush stroke speaks volumes.
The same holds for the Chinese language -- known for being extraordinarily concise and yet also rich and descriptive precisely because it is so succinct. Indeed, many Chinese words and proverbs contain concepts that could take paragraphs to explain in another language.
The NTDTV holiday shows seem to have struck a balance between the more refined traditional dance forms and the simple pleasures of rousing music, impressive large scale dances with dozens of dancers moving in synch, and, of course, gorgeous costumes and backdrops. The shows offer enough new flavors to be intriguing without being overly foreign. The more subtle elements may be lost on many in the audience, but their presence nonetheless enriches the entire performance for everyone. Ultimately, stories of grace and virtue told through song and dance will speak to us all forever.
Saturday, March 20, 2010
Artists Biographies on Film: Top Movies about Visual Artists
Visual artists biographies is a popular theme in the movie world. Moviemakers have always been fascinated by visual artists biographies, especially if it includes struggle with insanity, drug addiction or social conventions. In addition, it gives them an opportunity to depict original or resurrected artworks on the big screen.
Here you can read about some of the most interesting movies about visual artists biographies.
Lust for Life directed by Vincente Minnelli in 1952
Vincent Van Gogh biography had gained several cinematic adaptations. Lust for Life with Kirk Douglas as the struggling artist is one of the most notable. The movie is based on a best selling book by Irving Stone, who also authored The Agony and the Ecstasy about Michelangelo, which also had appeared on the silver screen.
If you are a fan of Van Gogh artwork, you would enjoy watching Last for Life, which features almost 200 of Van Goghs original paintings. However, if you are familiar with Kirk Douglas previous filmographic, seeing him as a tortured Dutch painter might take a little adjustment. Another recommended film about Van Gogh is Robert Altmans Vincent and Theo from 1990.
Surviving Picasso directed by James Ivory in 1996
Like Van Gogh, Pablo Picasso image made him an iconic figure outside the artistic circles. While Van Gogh symbolizes the self destructive, manic depressive artist who achieves success only after his death, Picasso represents the misanthropic and womanizer artist. Picasso infamous relationship with women is the focus of this Merchant and Ivory film. The story is told from the eyes of Picasso mistress Francoise Gilot and features only reproductions of Picasso works. With Anthony Hopkins talent and his physical resemblance to Picasso, Surviving Picasso manages to create an unflattering portrait of an artist as a cruel, self centered genius.
Girl with Pearl Earring directed by Peter Webber in 2003
Comparing to Van Gogh and Picasso, Vermeers biography is less known and less controversial. Therefore Girl with Pearl Earring is much more restrained and delicate. The movie focuses on a short period in Vermeers life in which he was painting the portrait of his young low class maid. Although Girl with Pearl Earring does not avoid filmic conventions by over dramatizing Vermeers painting process, the movie is worth watching if only for its artistic design, which success in evoking Vermeers perception of light and color.
Basquiat directed by Julian Schnabel in 1996
The most common critique against movies that deals with visual arts is the way they depict the creation process. Therefore, there were big expectations from Basquiat, which was directed by the celebrated painter Julian Schnabel. Schnabel did well in depicting Jean Michelle Basquiat rise and fall story in less the predictable manner we have seen millions time before. However, the only reason to watch Basquiat is David Bowie plays the role of Andy Warhol.
Frida directed by Julie Taymor in 2002
Like most of the visual artists who had their life story appear on the silver screen, Frida Kahlo carried an unusual biography, which includes bus accident, problematic marriage, and an affair with Leon Trotsky. Like Van Gogh, Picasso and Jackson Pollock, who was the subject of a biopic from 2000, Frida Kahlo was an icon long before Frida was released, but the 123 minutes film did help to strength her position as a feminist idol and probably the most famous woman painter of the 20 century. Frida tries its best to integrate Frida Kahlo life story with her painting and the result is very colorful and pleasant, but still does not stay far enough from the conventions of depicting artists on film.
Here you can read about some of the most interesting movies about visual artists biographies.
Lust for Life directed by Vincente Minnelli in 1952
Vincent Van Gogh biography had gained several cinematic adaptations. Lust for Life with Kirk Douglas as the struggling artist is one of the most notable. The movie is based on a best selling book by Irving Stone, who also authored The Agony and the Ecstasy about Michelangelo, which also had appeared on the silver screen.
If you are a fan of Van Gogh artwork, you would enjoy watching Last for Life, which features almost 200 of Van Goghs original paintings. However, if you are familiar with Kirk Douglas previous filmographic, seeing him as a tortured Dutch painter might take a little adjustment. Another recommended film about Van Gogh is Robert Altmans Vincent and Theo from 1990.
Surviving Picasso directed by James Ivory in 1996
Like Van Gogh, Pablo Picasso image made him an iconic figure outside the artistic circles. While Van Gogh symbolizes the self destructive, manic depressive artist who achieves success only after his death, Picasso represents the misanthropic and womanizer artist. Picasso infamous relationship with women is the focus of this Merchant and Ivory film. The story is told from the eyes of Picasso mistress Francoise Gilot and features only reproductions of Picasso works. With Anthony Hopkins talent and his physical resemblance to Picasso, Surviving Picasso manages to create an unflattering portrait of an artist as a cruel, self centered genius.
Girl with Pearl Earring directed by Peter Webber in 2003
Comparing to Van Gogh and Picasso, Vermeers biography is less known and less controversial. Therefore Girl with Pearl Earring is much more restrained and delicate. The movie focuses on a short period in Vermeers life in which he was painting the portrait of his young low class maid. Although Girl with Pearl Earring does not avoid filmic conventions by over dramatizing Vermeers painting process, the movie is worth watching if only for its artistic design, which success in evoking Vermeers perception of light and color.
Basquiat directed by Julian Schnabel in 1996
The most common critique against movies that deals with visual arts is the way they depict the creation process. Therefore, there were big expectations from Basquiat, which was directed by the celebrated painter Julian Schnabel. Schnabel did well in depicting Jean Michelle Basquiat rise and fall story in less the predictable manner we have seen millions time before. However, the only reason to watch Basquiat is David Bowie plays the role of Andy Warhol.
Frida directed by Julie Taymor in 2002
Like most of the visual artists who had their life story appear on the silver screen, Frida Kahlo carried an unusual biography, which includes bus accident, problematic marriage, and an affair with Leon Trotsky. Like Van Gogh, Picasso and Jackson Pollock, who was the subject of a biopic from 2000, Frida Kahlo was an icon long before Frida was released, but the 123 minutes film did help to strength her position as a feminist idol and probably the most famous woman painter of the 20 century. Frida tries its best to integrate Frida Kahlo life story with her painting and the result is very colorful and pleasant, but still does not stay far enough from the conventions of depicting artists on film.
Thursday, March 4, 2010
Antiques - 7 Reasons Why We Collect Them.
People collect antiques for many different reasons and therefore have many different views.
1. Some people collect antiques because they hold sentimental value. For example, I own a ceramic parrot that had been given to me by my grandparents, a cupboard from my other grandparents and a very old doll that had been given to me by my great aunt.
2. My in-laws once owned an antique business which they set up for sales and auctions. Their basement was always filled with a treasure trove of fascinating and interesting items. They could tell you the worth of any item in the basement. They loved restoring old pieces, not so much so that they could sell it for more but simply because they gained satisfaction from doing so.
3. My son enjoys collecting antique games and old books and even collects them. One of his favorite antiques are the tiddly winks games which he has collected from all over the world.
4. Antique lovers enjoy the chase more than anything. They enjoy searching through stores and antique shops all over the country searching for that specific or unusual item they been looking for.
5. Some people look for antiques as simply a hobby but they very seldom buy anything. They simply enjoy looking at what different areas of the country have the offer. It can be a lot of fun searching through antique stores.
6. Sometimes people who want to furnish their home look for antiques. Antiques of different time periods will often work well together to create a beautiful home.
7. Their other people who deal in the buying and selling of antiques. They are hard-core, know the value of pretty much everything, and always want to buy low and sell high. These folks typically are only interested in the price itself.
Collecting antiques can be a wonderful experience and provide enjoyment for people of all ages.
1. Some people collect antiques because they hold sentimental value. For example, I own a ceramic parrot that had been given to me by my grandparents, a cupboard from my other grandparents and a very old doll that had been given to me by my great aunt.
2. My in-laws once owned an antique business which they set up for sales and auctions. Their basement was always filled with a treasure trove of fascinating and interesting items. They could tell you the worth of any item in the basement. They loved restoring old pieces, not so much so that they could sell it for more but simply because they gained satisfaction from doing so.
3. My son enjoys collecting antique games and old books and even collects them. One of his favorite antiques are the tiddly winks games which he has collected from all over the world.
4. Antique lovers enjoy the chase more than anything. They enjoy searching through stores and antique shops all over the country searching for that specific or unusual item they been looking for.
5. Some people look for antiques as simply a hobby but they very seldom buy anything. They simply enjoy looking at what different areas of the country have the offer. It can be a lot of fun searching through antique stores.
6. Sometimes people who want to furnish their home look for antiques. Antiques of different time periods will often work well together to create a beautiful home.
7. Their other people who deal in the buying and selling of antiques. They are hard-core, know the value of pretty much everything, and always want to buy low and sell high. These folks typically are only interested in the price itself.
Collecting antiques can be a wonderful experience and provide enjoyment for people of all ages.
Labels:
antique,
antiques,
art,
auctions,
china,
collectibles,
jewelry,
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Saturday, February 27, 2010
An Overview...Originals and Limited Editions
Art collectors have long had the choice of purchasing art on paper or art on canvas. The paper art included original works such as watercolors, pastels, pencil or ink drawings, lithos, serigraphs and etchings....and limited editions reproduced photomechanically from originals.
Canvases were usually original (and costly) works of art. But now, the growing popularity and availability of limited editions on canvas give collectors “the original look” at affordable prices.
So what are limited edition canvases and how are they produced?
There are several ways of producing canvas limited editions such as the once popular “canvas transfers,” made by fusing the top layer of a paper print onto a prepared canvas surface. The result was an image that appeared as you might expect it to — like a paper print fused to a piece of canvas. Often, to make the print look “original,” the artist (or a technician) added textured varnish or paint to the print surface.
Today's state of the art reproductive technique is the giclée (jhee-clay) method in which high-tech printing equipment sprays millions of digitally-matched ink droplets per second onto a surface. Canvas, paper and archival board are the most common giclée surfaces.
Developed some ten years ago, the giclée has now become the “gold standard” — an important and permanent part of the limited edition world.
This spectacular blend of technology and fine art looks so much like the original work of art that even astute collectors do “double-takes.” Therefore, buyers should be aware that not all “original appearing” works of art are original.
The giclée (unless printed on paper) is meant to be enjoyed without glass, so nothing comes between you and your art.
Canvases were usually original (and costly) works of art. But now, the growing popularity and availability of limited editions on canvas give collectors “the original look” at affordable prices.
So what are limited edition canvases and how are they produced?
There are several ways of producing canvas limited editions such as the once popular “canvas transfers,” made by fusing the top layer of a paper print onto a prepared canvas surface. The result was an image that appeared as you might expect it to — like a paper print fused to a piece of canvas. Often, to make the print look “original,” the artist (or a technician) added textured varnish or paint to the print surface.
Today's state of the art reproductive technique is the giclée (jhee-clay) method in which high-tech printing equipment sprays millions of digitally-matched ink droplets per second onto a surface. Canvas, paper and archival board are the most common giclée surfaces.
Developed some ten years ago, the giclée has now become the “gold standard” — an important and permanent part of the limited edition world.
This spectacular blend of technology and fine art looks so much like the original work of art that even astute collectors do “double-takes.” Therefore, buyers should be aware that not all “original appearing” works of art are original.
The giclée (unless printed on paper) is meant to be enjoyed without glass, so nothing comes between you and your art.
Monday, February 22, 2010
All American Modern Art For Home And Garden Weathervanes
Learning to appreciate and admire our own culture is sometimes a tad bit overlooked by most, as is the essence of a weather vane. Life among the garden plants, vases, flowers, trees and birds at home sometimes also goes overlooked by those who are too busy to remember how far we have come as a civilization. Weathervanes are like instant memories. With some weathervane the sound of changing wind will be an immediate reminder of our culture and heritage, with others the mere sight will invoke past experiences and pleasant memories. Art can change society if it wants to or even bring inspiration and insight. The most traditional of American modern arts in the home and garden, is the weather vane. From the oldest documented colonial weathervane of Deacon Shem Drowne in the 18th century with his most famous Grasshopper weathervane that sits upon Faneuil Hall in Boston to the present day, weathervane sculptures have shaped American modern art.
Weathervane and American Modern Art
When we think of American modern art, most people tend to think of paintings and sculptures that sit in galleries and art museums. Weathervane are some of the most traditional works of American sculpture art because they have told the direction of the wind on the tops of houses, fences and barns for hundreds of years and represented important elements in our history. They are made by hand and no two can be exactly the same. Each weather vane is in and of itself a work of human expression, crafted by the hands of an artesian who takes their work seriously and with great passion. Old North Church (1740, Boston), First Church in Cambridge (1721), Province House (1716, Boston), Goddess of Liberty, the Federal Eagle and many famous race horses have all been immortalized by the sculpture of weathervane and banners upon the highest tops.
Weathervane Give The Direction of The Wind and Feed Imagination.
The compass rose is held firmly on a weather vane and will always show the direction of north. The weather vane itself will always point in the direction from which the wind originates. The movement of wind and air is physically the disbursing of energy that has picked up speed and travels through the sky abiding the laws of the cosmos. Indicating in a subtle way, what the skies are about to do. Wind may normally tend to stand idle without a weather vane, but it is always doing something, even if it is absent. Metalworkers and historians alike have been enchanted by the fascinating beauty of weathervane and those delicate “cathartic” moments they captivate in our hearts. Curving and spinning like a dancer, the weather vane fuels our human imagination with its beauty and becomes our link to the sky.
Art In Home and Garden Inspires Peace and Contemplation
This deep and intricate realm of American modern art can be most appreciated in the delicate things. Home and Garden is a place where that kind of traditional hand made art restores the splendor of the subtle and peaceful. “Home is where the heart is.” And through the art of weathervane our expressions of self and family become most attuned to the sky, wind and land that we call home. The weather vane inspires peace and contemplation wherever it stands. Mythical creatures, farm animals, creatures of the sea, sailboats, airplanes, national prides; creative works of an artistic imagination that follow the moving patterns of the wind, a wind that only sleeps at the calm of the storm. And in those moments the weather vane asks a question, where is the wind?
Weathervane and American Modern Art
When we think of American modern art, most people tend to think of paintings and sculptures that sit in galleries and art museums. Weathervane are some of the most traditional works of American sculpture art because they have told the direction of the wind on the tops of houses, fences and barns for hundreds of years and represented important elements in our history. They are made by hand and no two can be exactly the same. Each weather vane is in and of itself a work of human expression, crafted by the hands of an artesian who takes their work seriously and with great passion. Old North Church (1740, Boston), First Church in Cambridge (1721), Province House (1716, Boston), Goddess of Liberty, the Federal Eagle and many famous race horses have all been immortalized by the sculpture of weathervane and banners upon the highest tops.
Weathervane Give The Direction of The Wind and Feed Imagination.
The compass rose is held firmly on a weather vane and will always show the direction of north. The weather vane itself will always point in the direction from which the wind originates. The movement of wind and air is physically the disbursing of energy that has picked up speed and travels through the sky abiding the laws of the cosmos. Indicating in a subtle way, what the skies are about to do. Wind may normally tend to stand idle without a weather vane, but it is always doing something, even if it is absent. Metalworkers and historians alike have been enchanted by the fascinating beauty of weathervane and those delicate “cathartic” moments they captivate in our hearts. Curving and spinning like a dancer, the weather vane fuels our human imagination with its beauty and becomes our link to the sky.
Art In Home and Garden Inspires Peace and Contemplation
This deep and intricate realm of American modern art can be most appreciated in the delicate things. Home and Garden is a place where that kind of traditional hand made art restores the splendor of the subtle and peaceful. “Home is where the heart is.” And through the art of weathervane our expressions of self and family become most attuned to the sky, wind and land that we call home. The weather vane inspires peace and contemplation wherever it stands. Mythical creatures, farm animals, creatures of the sea, sailboats, airplanes, national prides; creative works of an artistic imagination that follow the moving patterns of the wind, a wind that only sleeps at the calm of the storm. And in those moments the weather vane asks a question, where is the wind?
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