What is movie and movie history

Movie is a term that encompasses individual motion pictures, the field of movie as an art form, and the motion picture industry. Movies are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.

Movies are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Movie is considered to be an important art form, a source of popular entertainment, and a powerful method for educating — or indoctrinating — citizens. The visual elements of cinema give motion pictures a universal power of communication; some movies have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue.

Traditional Movies are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement.

The origin of the name "film" comes from the fact that photographic film (also called film stock) had historically been the primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, photo-play, flick, and most commonly, movie. Additional terms for the field in general include the big screen, the silver screen, the cinema, and the movies.

Film is still a relative newcomer in the pantheon of fine arts

While motion picture films have been around for more than a century, film is still a relative newcomer in the pantheon of fine arts. In the 1950s, when television became widely available, industry analysts predicted the demise of local movie theaters. Despite competition from television's increasing technological sophistication over the 1960s and 1970s, such as the development of color television and large screens, motion picture cinemas continued. In the 1980s, when the widespread availability of inexpensive videocassette recorders enabled people to select films for home viewing, industry analysts again wrongly predicted the death of the local cinemas.

In the 1990s and 2000s the development of digital DVD players, home theater amplification systems with surround sound and subwoofers, and large LCD or plasma screens enabled people to select and view films at home with greatly improved audio and visual reproduction. These new technologies provided audio and visual that in the past only local cinemas had been able to provide: a large, clear widescreen presentation of a film with a full-range, high-quality multi-speaker sound system. Once again industry analysts predicted the demise of the local cinema. Local cinemas will be changing in the 2000s and moving towards digital screens, a new approach which will allow for easier and quicker distribution of films (via satellite or hard disks), a development which may give local theaters a reprieve from their predicted demise.

The cinema now faces a new challenge from home video by the likes of a new DVD format Blu-ray, which can provide full HD 1080p video playback at near cinema quality. Video formats are gradually catching up with the resolutions and quality that film offers, 1080p in Blu-ray offers a pixel resolution of 1920?1080 a leap from the DVD offering of 720?480 and the paltry 330?480 offered by the first home video standard VHS. The maximum resolutions that film currently offers are 2485?2970 or 1420?3390, UHD, a future digital video format, will offer a massive resolution of 7680?4320, surpassing all current film resolutions. The only viable competitor to these new innovations is IMAX which can play film content at an extreme 10000?7000 resolution.

Despite the rise of all new technologies, the development of the home video market and a surge of online piracy, 2007 was a record year in film that showed the highest ever box-office grosses. Many expected film to suffer as a result of the effects listed above but it has flourished, strengthening film studio expectations for the future.

Film criticism is the analysis and evaluation of films

Film criticism is the analysis and evaluation of films. In general, these works can be divided into two categories: academic criticism by film scholars and journalistic film criticism that appears regularly in newspapers and other media.

Film critics working for newspapers, magazines, and broadcast media mainly review new releases. Normally they only see any given film once and have only a day or two to formulate opinions. Despite this, critics have an important impact on films, especially those of certain genres. Mass marketed action, horror, and comedy films tend not to be greatly affected by a critic's overall judgment of a film. The plot summary and description of a film that makes up the majority of any film review can still have an important impact on whether people decide to see a film. For prestige films such as most dramas, the influence of reviews is extremely important. Poor reviews will often doom a film to obscurity and financial loss.

The impact of a reviewer on a given film's box office performance is a matter of debate. Some claim that movie marketing is now so intense and well financed that reviewers cannot make an impact against it. However, the cataclysmic failure of some heavily-promoted movies which were harshly reviewed, as well as the unexpected success of critically praised independent movies indicates that extreme critical reactions can have considerable influence. Others note that positive film reviews have been shown to spark interest in little-known films. Conversely, there have been several films in which film companies have so little confidence that they refuse to give reviewers an advanced viewing to avoid widespread panning of the film. However, this usually backfires as reviewers are wise to the tactic and warn the public that the film may not be worth seeing and the films often do poorly as a result.

It is argued that journalist film critics should only be known as film reviewers, and true film critics are those who take a more academic approach to films. This line of work is more often known as film theory or film studies. These film critics attempt to come to understand how film and filming techniques work, and what effect they have on people. Rather than having their works published in newspapers or appear on television, their articles are published in scholarly journals, or sometimes in up-market magazines. They also tend to be affiliated with colleges or universities.

DVD Online Rentals! Rent Movies In Your Pyjamas, And Watch Them In Your Jammy's Too

When it comes to convenience, DVD online rentals have to be the most convenient way to rent your favorite movie releases without having to leave your comfy couch in your home!

Since the Internet opened the DVD rental service market, many individuals and families quickly took advantage of the valuable features they offered, such as free trial periods, and also the low introductory membership fees that lets you rent unlimited movies per month, and you never have to experience late fees ever again.

If you haven’t taken advantage of the rental services through many online movie companies including Blockbuster, Intelliflix, and DVD Avenue, and for the Canadians the Zip.ca rental site, than you don’t know what your missing.

With a monthly membership, you can choose and rent as many movies as you like, however, many online rental companies will allow 3 out at a time. That’s not bad, considering once you get the shipping system down, you can have a load of movies and games coming to your door just as fast as you ship them back!

Top Entertainment Titles From Classics, Comedy, To Adult Videos Are Delivered Directly To Your Door!

Having delivery to your door is the future, and many movie and game rental enthusiasts are taking advantage of this feature, and eliminating frustrating line-ups for good! The rental process is simple, and when you go to Blockbuster’s or the online video store of your choice, all you have to do is visit the your interested categories. Find your choice of film or game, and click the computer mouse and that’s all it takes.

Online movies are sent to you within days, and most online rental companies will let you know the average time it will take to arrive. Then all you have to do is wait until they arrive, and you’re ready to watch them as many times as you like.

Late Fees Are The Thing Of The Past! For The Renters Who Forget To Return Their Movies, No More Worries!

You may remember the times you were charged nasty late fees that ended-up being more than the actual DVD movie you only planned to rent for a day or two. I recall the local movie rental store being so rude and inflexible with the fees, and it made me very angry.

I considered myself responsible, and when the odd occasion I would forget to take a movie back, or I just got too busy and couldn’t make it to the store on time. I would sneak the movie into the drop box, but the next time I went in to rent a flick, it almost seemed that they waited for day to push the fee in my face.

When many of the top online rental companies expressed there were no online fee charges, I was extremely excited, and looked forward to going to my local store to tell them that they would not be getting anymore of my excess late fees, because I was not going to rent from them anymore! I was about to venture in renting my movies from this day forward via the Internet, and the rest was history.

Black Christmas movie review

This festive fright-fest was a nice surprise from what I was originally expecting. This is another horror remake (from the people behind ‘Final Destination’ – great film), but un-like so many others; it did manage to come up trumps; such as ‘The Texas Chainsaw Massacre.’ This is a remake of Bob Clarke’s 1974 classic slasher movie, ‘Black Christmas’; which actually came four years before John Carpenter’s ‘Halloween’. Some fans lay claim that it was the original slasher flick.

From the outside, this looks like just another of your basic ‘there’s a psycho hacking up a bunch of pretty girls, who are running up the stairs instead of out of the door,’ and to a certain extent that’s correct, it’s the way this is conveyed which is interesting and enticing to watch.

The story: crazed killer, Billy Lenz, escapes his psychiatric ward and is determined to make it to his childhood home, where he was abused, by Christmas. Problem is, it’s years later and the home is now a Sorority house. It’s Christmas Eve and a who’s who of teen/horror girl stars are there to welcome him, including Melissa (Michelle Trachtenberg , ‘Buffy the vampire slayer’ fame), Heather (Mary Elizabeth Winstead, ‘Final Destination 3’), Dana (Lacey Chabert, ‘Mean Girls’) and Kelli (Katie Cassidy, ‘When a stranger calls’ remake.)

This movie is actually pretty good, it has a constant feeling of being watched that runs right through it and adds a sparkle to the scares, and the tension is kept high. The actresses, although spouting some awful lines at times, also say some good ones. The acting is good, and because most of the leading ladies are stars, and most of them horror stars, the audience doesn’t guess which one is going to make it to the rolling credits. The story-line builds well, and there is a mounting tension, as the killer first phones the girls, and then starts to do away with them.

A similar storyline to the original ‘Halloween’, with a killer coming home for the holidays, there are also many similar P.O.V shots of the killer, watching the girls throughout the house. The Christmas theme bleeds in nicely with the plot, and it comes across in places (especially, the flash-backs to Billy Lenz’s childhood) like something, director, Tim Burton, would dream up. The film gets darker and darker as we move through it, with some very violent scenes, and the music by Shirley Walker is great; capturing horror and Christmas all in one twisted melody. Also, the use of red and green lighting throughout (owed to Christmas) is very cool, and creates a great atmosphere.

Due to it being set in a Sorority house, and this no longer being 1974, some of the dialogue just doesn’t cut it. I can’t imagine many of these girls’ staying in the house with a crazed serial killer, just because they can’t find their ‘sorority sister,’ believable in 2007 – sad, but true. There is, unfortunately, the obligatory shower scene, but it’s used for scares, not thrills, and so works.

Right from the start you can tell, this isn’t your usual run of the mill slasher, it actually has a back story, and we do find ourselves caring for some of the characters, for example, Kelli, played by Katie Cassidy is great; plus if you hated ‘Dawn’ in ‘Buffy the vampire slayer’ – you are gonna love this movie.

Animation is the technique in which each frame of a film is produced individually

Animation is the technique in which each frame of a film is produced individually, whether generated as a computer graphic, or by photographing a drawn image, or by repeatedly making small changes to a model unit (see claymation and stop motion), and then photographing the result with a special animation camera. When the frames are strung together and the resulting film is viewed at a speed of 16 or more frames per second, there is an illusion of continuous movement (due to the persistence of vision). Generating such a film is very labour intensive and tedious, though the development of computer animation has greatly sped up the process.

File formats like GIF, QuickTime, Shockwave and Flash allow animation to be viewed on a computer or over the Internet.

Because animation is very time-consuming and often very expensive to produce, the majority of animation for TV and movies comes from professional animation studios. However, the field of independent animation has existed at least since the 1950s, with animation being produced by independent studios (and sometimes by a single person). Several independent animation producers have gone on to enter the professional animation industry.

Limited animation is a way of increasing production and decreasing costs of animation by using "short cuts" in the animation process. This method was pioneered by UPA and popularized by Hanna-Barbera, and adapted by other studios as cartoons moved from movie theaters to television.[3]

Although most animation studios are now using digital technologies in their productions, there is a specific style of animation that depends on film. Cameraless animation, made famous by moviemakers like Norman McLaren, Len Lye and Stan Brakhage, is painted and drawn directly onto pieces of film, and then run through a projector.

“V For Vendetta” The Movie And These Days.

I must confess that the day I watched the trailer of “V For Vendetta” at the movie theater I wasn't any close to be willing to pay a ticket for watching that guy with a funny mask on his face. It seemed to me it would be one more of those simple movies extracted from a not very known “comic” (at least for me) that are appearing in theaters quite often these days. But now that I watched it, I think I was judging this movie wrong and not being totally fair with the writer and director.

It was quite surprising to follow the story and its continuous resemblance to what is happening today in a not too far away country and not too strange neighborhoods. In the movie is England that has been taken over by a group of fanatics that have concluded that their reason to live is power and the imposition of his world model and ideas over everyone and everywhere. There is a continuous war outside the borders and inside democracy is over; meanwhile fear is alive. People has lost the power of questioning reality and take conscience of the terrible consequences of living under such a decadent regime. It is a model based not in reason not in justice. Is the model “fascists” preach, where obedience and a “clock-like” functioning of the society in the interest of a few “chosen ones” is needed.

But suddenly there is a problem menacing the “status-quo”, they (without knowing) have created their own finisher. It is a figure that appears to us as a mix of revenge with a revolutionary mind, its name is “V”. Though the movie makes it closer to a simple vengeance thirst of this character, which is a bad point for the writer, but anyway; the film put us in front of tyranny being challenged by a single questioner, a single doubt of what has been happening to that society and his menace to multiply those doubts once the right time has come, this is…The 5th of November.

There is also the human side of “V”, he meets the girl in the movie thanks to his opportune showing while she is about to be raped by a group of secret agents of the “fascist” regime that have catch her walking at the wrong hours. You are not even the owner of your time as long as the preachers of “England Prevails” are in power. She escapes safe thanks to “V” but only to be initiated into the world of those who will change that world. She will be the guest and prisoner of “V” until she finally learns that there is nothing to fear but fear itself.

At the end there seems to be a split of the vengeance appetites of “V” and the revolutionary intentions that have been growing as the story develops. It becomes somewhat clear that everything coming from the old regime must die, including “V”, but he has left a final gift and maybe a lesson for those who want to learn it. Passions belong to individuals and can be very powerful forces; but revolutions can not be made by one or two individuals, revolutions are made by the conscience and willing of the people.

“Brokeback Mountain” Movie, When Love Won’t Count.

After a number of months hearing once and again a ton of good comments about “Brokeback Mountain” movie I finally had the opportunity to watch this movie in the theaters. I know I'm kind of late, even Oscars have passed, but it took sometime for the film to arrive in my town.

Curious sensation what I felt when the movie started playing, after hearing so many comments about the film I was at the point from which I already knew, at least from the morbid side, what the story was about and who was whom on the screen. At least that's what I thought.

It all starts in the distance; one truck passing by the hills and then we find one young man outside an office that seems to be far away from everything. Then our second character arrives almost pushing his old black truck. It is now that we realize what they are looking for…they need a job.

They are hired to take care of sheep in the mountains of Wyoming, they will spend the summer together in the mountains, they will live and work side by side during all those days. As they arrive to their destination, “del Mar” , feeling more confident, releases a few words from his mouth and starts talking a bit more and showing some signals of sympathy to his buddy. He is a tough young man with a family history with resemblance of a nightmare from one of those Dickens stories. No one suspects anything “out of normal” is happening in the story. Days seem to be passing without any great novelty.

But something new happens, something out of the regular tasks of those working days and nights at “Brokeback Mountain”. Something has arisen between the two men, it is like a storm coming from nowhere that has entered their lives and that will mark them forever. It seems to be just a passionate episode of the lonely at the beginning, a dream that none will ever know. But reality dictates something different, what just happened, will continue happening once and again, they are attached forever by a force that makes or bends the will of anyone; something we may call, love.

Summer is over and both men must go back to their worlds away from the mountain, to their previous lives, but inside them in a secret place they know those lives exist no more. They have been confronted with their most inner reality and it won't go away.

They will marry wives and strive to pursue a “normal” life just to realize they are being a pair of fakes. They don't belong to that traditional society, they belong only to each other since those day in the mountains. They finally decide and meet again outside “del Mar's” home, a poor second floor apartment. He hasn't had much luck in life since childhood and it seems to accentuate everyday, now even his wife knows about his preferences. We are inclined to conclude his only luck and fortune in life is what he feels for Jack, his “fishing buddy”.

Things go wrong at “del Mar's” home, marriage brakes and he is left alone fighting for life in a society that would stone him to death if they only knew. But there are bright moments too, and those happen at “Brokeback” where he regularly meets Jack who travels from far away Texas to meet the only love he has known.

By the end of the story there have been conflicts arising between the partners; too much distance and just a scarce proximity can not improve any relation. They have just had a bad encounter in their paradise, they part away with the promise of meeting again and fix what can be fixed when suddenly the story takes us to a scene where “del Mar” receives the notice of Jack's death in a cold post card with letters that say “deceased”. Everything indicates he has been murdered, he was caught by those who won't let the “others” happen. And now Ennis del Mar has been left aside from society, with his love eternally longing for Jack and a daughter that will get married soon and who doesn't know his dad is a loner for a reason; and love won't count.

Crowe and Kidman to Unite in Aussie Film

After a failed attempt at collaborating on “Eucalyptus,” Russell Crowe and Nicole Kidman are looking to team with “Moulin Rouge” director Baz Luhrmann. All three are Australian.

Crowe and Kidman have signed on to star in what is being called an epic Australian Outback film set in the years up to and including World War II. The film, codenamed “Project Oklahoma,” will begin in the 1930s and stretch to the 1942 Japanese bombing of the tropical city of Darwin.

“We’ve talked a bout it for over seven years, that we must do something together in Australia.” Luhrmann said to the Sydney Morning Herald.

Kidman said that she was looking forward to making a “uniquely Australian story” with Crowe, who she calls her “good friend.”

Luhrmann compared the film to “Gone with the Wind” and “Lawrence of Arabia.” “Collateral” screenwriter Stuart Beattie will work with Luhrmann on the script for the film.

Kidman has had a working history with Luhrmann, who directed the three minute, multimillion-dollar Chanel No. 5 commercial in which Kidman starred.

The rumored budget for the film is said to be about $40 million in Australian currency, which is equivalent to about $30 million in U.S. dollars. Filming is set to begin in August, and the film is projected to be released in 2007.

Bacara el Preferido del Agente 007

El Agente 007 y su audacia con el juego continúan deslumbrando año tras año a sus sensuales compañeras en escena y derrotando a sus astutos enemigos.

El Bacara: El Juego preferido del clásico James Bond: Bacará y el Agente 007

El Bacará es el clásico juego de apuestas originado en Italia en el siglo 15 y es también característico del famoso espía 007. En cada escena lo identifican una elegancia y excelencia, que junto con su impecable Martini en mano y las apuestas en otra James Bond ha mantenido una leyenda desde su origen desde los años 50 hasta el presente. Es así como el espía ingles domina la versión francesa del juego Bacará llamada Chemin de Fer con gran talento y admiración.

Bacara siempre fue popular entre la alta sociedad, especialmente en el siglo 15, cuando surgió en Italia. Bacara significa cero en italiano y a lo largo de su expansión en diferentes países nuevas reglas y variaciones fueron inventadas y adaptadas como en Estados Unidos o en Francia el Chemin de Fer, o el denominado Juego de James Bond.

El juego consiste en el "Jugador" y la "Banca" el nombre que se la a las opciones de apuestas, estos son repartidos dos o tres cartas cada uno con el objetivo simple de llegar a 9 sin pasarse de el. Mientras tanto la banca decide según las reglas del juego cuando detener la jugada y los jugadores ya han debido apostar a cual de las dos Jugador o Banca ganara la mano. Los jugadores o el jugador apuesta y el que apuesta a la mano que gano el puntaje mas correcto, gana la mano. En la adaptación americana, el juego funciona en contra a la banca, mientras que en Chemin de Fer, los jugadores compiten el uno con el otro. Uno representa al jugador y el otro a la Banca.

En compañía del Chemin de Fer los libros de Ian Fleming junto a las adaptaciones en escena de James Bond, han deslumbrado por décadas las diferentes aventuras del espía, con ayuda de su impecable poder del juego y su atractivo estilo. Hasta su último estreno en el 2006 James Bond sigue disfrutando de la lujuria de las mesas verdes de los casinos junto a su cigarro y el su sensual compañera en acción. En el anio 1964, las novelas y capítulos de James Bond, fueron escritas por Kingsley Amis, John Pearson, John Gardner, Raymond Benson, y Charlie Higson. Tambien sus actores variaron comenzando con el conocido Sean Connery, siguiendo con Geroge Lazenby, Roger Moore, Tomothy Dalton, Pierce Brosnan y Daniel Craig.

Si observas, es muy interesante ver la manera en que el Agente apuesta al juego y a su vez actúa y descubre los secretos que lo rodean con la misma rapidez, seguridad y astucia. Enlas películas de James Bond el juego Chemin de Fer transcurre en elegantes salas llenas de mujeres elegantes y hombres adinerados que detrás del juego tienen otros intereses por revelar. En la realidad el enlace entre el Bacará y El Agente 007 es de un acompañante fiel de aventuras secretas y emocionantes de mas de cinco décadas que hicieron de el una leyenda inolvidable que resurge de generación en generación.