A Deep Look At Soap Operas

You have got to love soap operas. From the intricate plots and finely woven webs of deceit, to the depths of schemes, they were, are and always will be classics. They are timeless. I wrote this article as my take on them back in 1970 when filling white space for our high school paper. Watch a few soap operas for the next few days and see for yourself how closely they resemble the soap operas of 36 years ago... And now for that thought provoking question that plagues men’s souls unceasingly through the bright shining of the day and through the untold dark depths of the night: Why did Peter, who in reality is actually Superman, fake that he stubbed his toe on the 17th stone on the sidewalk starting at 4th and Grand instead of the 16th stone, which was bigger and more logically the victim of that invulnerable toe and why did Marlys take Sam’s advice to buy the yellow tulip instead of the red and green carnation, while all the time Rodregus knew that the curvaceous young Pandora was at the moment buying the last purple, double-breasted, duck-billed, warbling giraffe in the world for her dear departed Phillip disguised as a lowly second mate on the Queen Mary, which was under attack by the tyrant Cedric because of the terrible beating he had suffered at the hands of Radcliff whose ex-wife Natalie was actually Percival’s long lost great-great-uncle Maximillian in disguise who knew that Zigmond was fond of un-pitted olives stuffed into green grapefruit filled graciously with Granny and Gretchen’s goulash, which was gradually getting gooey and who also knew of Jennifer’s contact Louella in the deep Congo, seized at the time by the dread Gardenia, the 7th cousin of Guenivere, in hopes of receiving the eight-ounce bottle of Elmer’s Glue stored in the vast files in the cortex of Courtney’s colossal computer complex carefully compiled to correct the current curling, commonly crusading as the contagious, communicable, crystalline, cucumber crud, carried on cue sticks by crying cuckoo clock birds continuously to conform with the cunning Cornelius’ cumbersome plot to corrupt the currency and continue the crisis of the Cormandel Coast Cult, complicated by the coroner Cort’s corny connotation to conceal his consecutive coronary contractions constantly crippling his conscious efforts to contradict congenial counterparts’ careful counterfeit correspondence with Corwyn, the cosmic cosmetician? Was it because Bill had green eyes or was it because Melissa meddled menacingly and meticulously in Maude’s plans to read the calendar to see what year she had been sent to by her superiors in the future? Tune in tomorrow for the exciting climax created by another deep question.